Category Archives: historical accuracy

NaNoWriMo RE: What Fish Could You, uh, Fish for in the East Coast?

black birdfall leaves centerblack bird

What Fish Could You, uh, Fish for in the East Coast?




[quote=Bootscooper]In the East Coat, around the tri-state area, what edible fish could you get to eat?


[/quote]


Tri-state – my homeland :) And me living right on the ocean, I’m surrounded by rifle toting lobster man, and get to see the lobster war shoot outs all the time. Fishing is our # one source of income, and it’s big business. If you are not a fishermen, you are related to one, married to one, work for one, or at least know some one who does. Maine is 73% water and has the longest coastline of any other state. Yeah. Every one around here has fish on the brain.

You didn’t say what type of fishing you plan on using so I’ll list both:

Off the coast/deep sea:

    Lobster is #1 (the #3 source of income in Maine, after Tourism and Blueberries. Potatoes and Milk are 4 and 5.) Marlin Shrimp Sea bass Atlantic Salmon Pollack Sea Urchins Halibut Flounder Eels (big ones) Skate (what we call Sting Rays) Octopus Squid Manta Rays (big ones – big, big, big ones – 8 foot wings are not uncommon) folks don’ fish for them, but once in a while one will get caught in a net. People don’t eat them, btw. Shark (lots of types, Sand, Nurse, etc, keep in mind though the Great Whites are extremely rare, so you can mention them, but it would be a fluke to see one around here) Humpback Whales, if your story is set before the anti whaling laws. Whaling was a big business around here in the 1700′s ish. and also Scallops, Clams, Mussel, Crab, and several assorted snails but technically that’s not called “fishing” it’s called “digging”. Also, we are in the “Man o War” region. Man o Wars are giant killer jelly fish, that can get 30 feet long. In warm summers they get washed in along the coast, by the gulf stream. People don’t fish for them, but fisherman do once in a while get killed by them. Areas have to be closed down if any Man o War are sighted, and wait until they head back out to sea again. This only happens once every few years though, and is not that common an event.

Inland – river/lake/pond/stream:

    Eels (small ones) Brown Trout Rainbow Trout Catfish Salmon

Sorry, afraid I don’t know many inland fish, I live right on the ocean and rarely leave town.

I’m afraid I can’t help you with any details or specifics. Ive never been fishing in my whole life! LOL! My boyfriend is a hobby fisherman and my neighbor is a lobster men (every one’s neighbor is a lobster man around here.) and these are the fish they commonly catch and or mention seeing, or have known others to catch. They are the ones I just always hear getting mentioned around town and such.

Also, Harbor Seals are every where, and commonly get caught by mistake, and have to be released. But if your story is set old enough, like before the 1950′s, fisherman used to shot every seal they saw on sight, hundreds and hundreds of them, because the seal attack the nets and traps and lines and steal the fish.

Pretty much every one eats fish, most every meal, every day of the year.

Here in town we have fishing shacks on every street corner. A fishing shack is like a dinner that is run by the wife of some local fisherman, and all they serve is fresh fish. The Clam Bake, Bailey’s, WormWoods, and Ken’s Place are the biggest ones, and attract tourists from all over the world. The Clam Bake is a giant restaurant now as a result.

Hey – why don’t you just read what they sell off their menu? Or ask them on their FaceBook page? Plus all those actual picture of what the stuff looks like cooked should give you plenty to work with. That should help you out:

http://www.clambakerestaurant.com/ or http://www.clambakerestaurant.com/dinners.shtml

http://www.facebook.com/pages/Scarborough-ME/Kens-Place-Seafood-Restaurant/64297093127?v=info (2009 was their 82nd year in business)

These two are right across the street from each other (more or less) and I live right behind them on the beach. :)

and this one is right next door to Ken’s

http://bayleysseafood.com/ and is the one I personally like to eat at most often. I like their Seafood Platter, which is a little bit of everything that got brought in that morning. Usually it includes Haddock fillets, scallops, shrimp, clam strips, etc.

and they make the best Lobster Rolls in Maine. You can’t visit Maine with out trying a Lobster Roll and drinking Moxie.

and here’s one from Portland:

http://www.portlandlobstercompany.com/menu.html

and Moxie btw is this:

http://www.moxiefestival.com/

http://en.wikipedia.org/wiki/Moxie

your Maine readers will think your Maine characters are weird if they are NOT drinking Moxie.

You know, you might want to head to the Maine Regional Forums and ask there. Some one might have more info for you.

And writing this list up for you . . . wow! You just gave me some great ideas to add to my story, which, happens to be set in a fishing villsge off the coast of Maine – couldn’t imaging why. ;) =P

Incubus: Fear the Night!

http://twitter.com/EelKat

http://www.facebook.com/EelKat

http://eknano.blogspot.com

ROTFLMAO!

pawpawpawpawpaw

LOL! LOL! LOL!

I just love it when people leave mean comments without first reading the article they commented on! (See article in question here: http://www.squidoo.com/LordSesshomaruHistory)

LOL! LOL! LOL!

My opposing Sessho followers have found me on Squidoo, niiice.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

Obsessed? I’m Not Obsessed… REALLY, I’m not!

When Next You See Me I’ll Look Like This:

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

ROTFLMAO!

pawpawpawpawpaw

LOL! LOL! LOL!

I just love it when people leave mean comments without first reading the article they commented on! (See article in question here: http://www.squidoo.com/LordSesshomaruHistory)

LOL! LOL! LOL!

My opposing Sessho followers have found me on Squidoo, niiice.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

Obsessed? I’m Not Obsessed… REALLY, I’m not!

When Next You See Me I’ll Look Like This:

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

ROTFLMAO!

pawpawpawpawpaw

LOL! LOL! LOL!

I just love it when people leave mean comments without first reading the article they commented on! (See article in question here: http://www.squidoo.com/LordSesshomaruHistory)

LOL! LOL! LOL!

My opposing Sessho followers have found me on Squidoo, niiice.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

Obsessed? I’m Not Obsessed… REALLY, I’m not!

When Next You See Me I’ll Look Like This:

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

What Is The Best Thing About CosPlay?

pawpawpawpawpaw

When it comes to picking, creating a persona, creating a costume, wearing a costume, and acting out your character, what is it about costuming and CosPlay that you like the most?

For me it’s all about making the costume. I love the thrill of the challenge of doing a harder costume than the last one, and drawing up the patterns, and hunting down the supplies. I esp love it if I have to hunt down some rare hard to find item, even more so if it sends me to antique shops to look for it… it’s like a scavenger hunt, trying to find just the right item!!!!.

I love hand embroidery work and bead-work, so I always look for projects that need a lot of both.

As a general rule the harder the project is, the better, and if it’s not too hard to do, than I’ll find ways to change it and make it more advanced and harder to make, just for the sake of giving myself a bigger challenge.

Historical accuracy is my thing I get all hung up on. I can not make a costume, until I have first done a massive study into the character… their fictional cannon history, and than the history of what they SHOULD have been like had the been real and not fictional.

Than I write up an essay detailing the life history of the fictional character vs how they should have been in real life, and lastly I start designing the costume by combining elements of the fictional character, with elements of real historical figures. When I get done I have a costume for a fictional character that is also historically accurate, though for some characters it’s a bit more difficult to pull this off… but just because people tell me it can’t be done, doesn’t mean I’m not going to go ahead and make a darned good attempt at it. In fact… the more people tell me that what I am doing can not be done, the more I’m going to fight to prove them wrong! LOL!

After all the work that goes into my costumes, I do not always end up wearing them. Some of them, I have put so much work into that I end up treating them like museum pieces and never wear them, at all!

It’s not so much important for me to have an item to wear so much as it is for me to be able to say: “OMG! I can’t believe I actually made that myself!!!”

I guess you could say, that for me it’s all about the journey and not the destination.
_________________

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

What Is The Best Thing About CosPlay?

pawpawpawpawpaw

When it comes to picking, creating a persona, creating a costume, wearing a costume, and acting out your character, what is it about costuming and CosPlay that you like the most?

For me it’s all about making the costume. I love the thrill of the challenge of doing a harder costume than the last one, and drawing up the patterns, and hunting down the supplies. I esp love it if I have to hunt down some rare hard to find item, even more so if it sends me to antique shops to look for it… it’s like a scavenger hunt, trying to find just the right item!!!!.

I love hand embroidery work and bead-work, so I always look for projects that need a lot of both.

As a general rule the harder the project is, the better, and if it’s not too hard to do, than I’ll find ways to change it and make it more advanced and harder to make, just for the sake of giving myself a bigger challenge.

Historical accuracy is my thing I get all hung up on. I can not make a costume, until I have first done a massive study into the character… their fictional cannon history, and than the history of what they SHOULD have been like had the been real and not fictional.

Than I write up an essay detailing the life history of the fictional character vs how they should have been in real life, and lastly I start designing the costume by combining elements of the fictional character, with elements of real historical figures. When I get done I have a costume for a fictional character that is also historically accurate, though for some characters it’s a bit more difficult to pull this off… but just because people tell me it can’t be done, doesn’t mean I’m not going to go ahead and make a darned good attempt at it. In fact… the more people tell me that what I am doing can not be done, the more I’m going to fight to prove them wrong! LOL!

After all the work that goes into my costumes, I do not always end up wearing them. Some of them, I have put so much work into that I end up treating them like museum pieces and never wear them, at all!

It’s not so much important for me to have an item to wear so much as it is for me to be able to say: “OMG! I can’t believe I actually made that myself!!!”

I guess you could say, that for me it’s all about the journey and not the destination.
_________________

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

What Is The Best Thing About CosPlay?

pawpawpawpawpaw

When it comes to picking, creating a persona, creating a costume, wearing a costume, and acting out your character, what is it about costuming and CosPlay that you like the most?

For me it’s all about making the costume. I love the thrill of the challenge of doing a harder costume than the last one, and drawing up the patterns, and hunting down the supplies. I esp love it if I have to hunt down some rare hard to find item, even more so if it sends me to antique shops to look for it… it’s like a scavenger hunt, trying to find just the right item!!!!.

I love hand embroidery work and bead-work, so I always look for projects that need a lot of both.

As a general rule the harder the project is, the better, and if it’s not too hard to do, than I’ll find ways to change it and make it more advanced and harder to make, just for the sake of giving myself a bigger challenge.

Historical accuracy is my thing I get all hung up on. I can not make a costume, until I have first done a massive study into the character… their fictional cannon history, and than the history of what they SHOULD have been like had the been real and not fictional.

Than I write up an essay detailing the life history of the fictional character vs how they should have been in real life, and lastly I start designing the costume by combining elements of the fictional character, with elements of real historical figures. When I get done I have a costume for a fictional character that is also historically accurate, though for some characters it’s a bit more difficult to pull this off… but just because people tell me it can’t be done, doesn’t mean I’m not going to go ahead and make a darned good attempt at it. In fact… the more people tell me that what I am doing can not be done, the more I’m going to fight to prove them wrong! LOL!

After all the work that goes into my costumes, I do not always end up wearing them. Some of them, I have put so much work into that I end up treating them like museum pieces and never wear them, at all!

It’s not so much important for me to have an item to wear so much as it is for me to be able to say: “OMG! I can’t believe I actually made that myself!!!”

I guess you could say, that for me it’s all about the journey and not the destination.
_________________

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

BedSheets, Historical Accuracy, and Tent Covers

pawpawpawpawpaw

On an SCA forum, someone asked a question about if it was alright to use bedsheets to make their garb, even if bedsheets were not historically accurate.

For me, it depends largely on what I am making. A few years back I did a velvet gown that required 7 yards for the skirt alone, and than it had these huge triple puffed sleeves and those needed another 3 yards each. Well, than I made it really hard for myself, because I wanted to do it in an old style shade of rose, and no other color would do. I had already plotted and planned and drawn out my sketches, and it HAD to be rose colored velvet. Have you ever tried looking for a dusty rose colored velvet! ACK!

Well, finding velvet in an odd color was one trouble I was having, but the fact that I needed so much of it was the major problem, because I rarely put very much money into the fabric I buy. I tend to root through Jo-Anns, red tag $2 a yd clearance section to find most of my fabrics. It did not take me long to realize that if I wanted rose colored velvet, the only way to get it was to have it special ordered at some $45 a yd! That was a great big: NO WAY! So, I changed my outlook on my dress, and put off sewing it, for about 7 months, because I still could not imagine it in anything but rose colored velvet.

Than, nearly a year later, and nearing in on Easter time, I was in WalMart, and they had just gotten in a whole batch of new Easter fabric… among them, were some pretty pastel colored polyester panne velvets, and a whole uncut bolt of a dusty rose that just screamed “BUY ME!”. Okay, so technically it was stretch velvet or velveteen and made out a fabric that had only been around the last 40 years or so, but the color was perfect for what I wanted, and it LOOKED like real velvet even if it wasn’t real velvet and it only cost $3.95 a yd!

In the end I got my rose colored “velvet” dress, not accurately, but I didn’t care, because it looked the way I had invisioned it.

Of course, as I said for me, it depends largely on what I am making, and so I have yet another story on me vs accuracy, this one currently ongoing. As you may or may not have heard me say before, I am doing what I am told is utterly unheard of and completely impossible to do, (by about 40 different people so far, and I expect that list to grow as my project continues). Hey, keep telling me I can’t do this too, because thats what keeps going… the desire to prove I can! LOL!

Anyways, I am taking a character out of a modern day fantasy comic book and *horrors* recreating his entire wardrobe (6 different outfits) in as much historical accuracy as possible. He’s a prince from 1558 Japan, who grew up in China, than went on a personal spiritual quest all across Asia and picked up various elements of each place he went along the way. And thus wears cloths that are mixed up with Japan, China, Mongolian, and Portuguese elements, plus a few VERY imaginary fantasy elements thrown in to boot.

Oh such fun it is torturing myself like this. I now have to figure out which parts of his outfits came from which periods of which countries, so that I can make each part historically correct, even if wearing them all at once isn’t historically correct. If you think it’s hard tracing down one item from one country and one time period… try 45 different items from countries of unknow origin which you have to study each coutries history to find out where each one came from! eeek!

Well, I finally traced most of the items and their origins and what they should be made out of, and FINALLY, I started my search for the fabric: silk, from Asia, in historically accurate widths. I found silk from Italy 45″ wide, silk from France 45″ wide, silk from India 45″ to 68″ wide. I needed silk from Japan 15″ wide.

I went to my local JoAnnes told them what I was doing, what I needed, the woman looked at me like she thought I was a nut, and than asked “But why don’t you just buy the 45″ wide fabric and cut it down to 15″ wide strips?” Well, because the whole point of making this outfit is to be historically accurate, and my studied showed me that his cloths would have been made of 15″ wide silk, that was sewn on selvage, and part of the design element is the fact that it HAS to be sewn on selvage, so I MUST use 15″ wide silk.

It took me three months to track it down, but I finally found a guy (who lives in Japan) who does nothing but collect and sell 13″ – 16″ wide Japanese silks! YAY! I emailed him, told him what I wanted and he was able to find me five bolts of *OMG* antique handwoven 15″ wide silk. For the first time in my life, I bought a fabric that had a major price tag on it.

I am so happy with my silk. It arrived last week and I’ve been driving my family nuts talking about it steady! LOL! This is the first time in over 20 years, that I have ever allowed myself to buy a fabric for the sake of historical accuracy. The price of historically accurate fabrics, usually sends me off looking at my curtains and thinking: “Hey, I’ll bet I could cut that up to make my garb out of! LOL! Usually I settle for: “Oh that LOOKS accurate enough and only costs $15 dollars”. Yeah… like you said, bed sheets can make great garb, and often I go that road myself, as long as it LOOKS accurate… hey, try looking at the curtains in WalMart… I do that often, the big prints on curtains often have a nice period look to them.

oh yes! I agree with the bedsheets for camp curtains. They are great for that because of their size.

Blankets make the best tent covers! I’ve never used anything else to make a tent cover with! For the tent I made, I needed a thick fur look. I’m an animal rights activist so using real fur was out of the question, and buying fur fabric didn’t set well with me because all I could find was really cheep looking stuff that either had too thick a pile, or too fake looking a color.

I wanted it to look like cheetah or leopard skins, and than I found these throw blankets to go on your couch. They had a nice short “realistic” nap to them, and and the print looked like real leopard. So those blankets ended up becoming my tent cover. (The tent was a 6Wx8Lx5H one person sit in the shade-lay down take a nap type tent, so it didn’t take much fabric to make it.)

I did worry because they were so thick, that they might hold in the heat and make the tent unbearable hot. However the opposite was true. They were so thick that they blocked the sunlight was getting in and kept my tent the coolest bit of shade there was to be found!

I’m planning to make another, more portable one later this year. The one I made is on a frame of 2×4′s and a permanent fixture that has stood in my yard for 3 years now. I still use it, though the fabric is starting the wear thin now, after surviving 2 blizzards and 4 hurricanes.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

BedSheets, Historical Accuracy, and Tent Covers

pawpawpawpawpaw

On an SCA forum, someone asked a question about if it was alright to use bedsheets to make their garb, even if bedsheets were not historically accurate.

For me, it depends largely on what I am making. A few years back I did a velvet gown that required 7 yards for the skirt alone, and than it had these huge triple puffed sleeves and those needed another 3 yards each. Well, than I made it really hard for myself, because I wanted to do it in an old style shade of rose, and no other color would do. I had already plotted and planned and drawn out my sketches, and it HAD to be rose colored velvet. Have you ever tried looking for a dusty rose colored velvet! ACK!

Well, finding velvet in an odd color was one trouble I was having, but the fact that I needed so much of it was the major problem, because I rarely put very much money into the fabric I buy. I tend to root through Jo-Anns, red tag $2 a yd clearance section to find most of my fabrics. It did not take me long to realize that if I wanted rose colored velvet, the only way to get it was to have it special ordered at some $45 a yd! That was a great big: NO WAY! So, I changed my outlook on my dress, and put off sewing it, for about 7 months, because I still could not imagine it in anything but rose colored velvet.

Than, nearly a year later, and nearing in on Easter time, I was in WalMart, and they had just gotten in a whole batch of new Easter fabric… among them, were some pretty pastel colored polyester panne velvets, and a whole uncut bolt of a dusty rose that just screamed “BUY ME!”. Okay, so technically it was stretch velvet or velveteen and made out a fabric that had only been around the last 40 years or so, but the color was perfect for what I wanted, and it LOOKED like real velvet even if it wasn’t real velvet and it only cost $3.95 a yd!

In the end I got my rose colored “velvet” dress, not accurately, but I didn’t care, because it looked the way I had invisioned it.

Of course, as I said for me, it depends largely on what I am making, and so I have yet another story on me vs accuracy, this one currently ongoing. As you may or may not have heard me say before, I am doing what I am told is utterly unheard of and completely impossible to do, (by about 40 different people so far, and I expect that list to grow as my project continues). Hey, keep telling me I can’t do this too, because thats what keeps going… the desire to prove I can! LOL!

Anyways, I am taking a character out of a modern day fantasy comic book and *horrors* recreating his entire wardrobe (6 different outfits) in as much historical accuracy as possible. He’s a prince from 1558 Japan, who grew up in China, than went on a personal spiritual quest all across Asia and picked up various elements of each place he went along the way. And thus wears cloths that are mixed up with Japan, China, Mongolian, and Portuguese elements, plus a few VERY imaginary fantasy elements thrown in to boot.

Oh such fun it is torturing myself like this. I now have to figure out which parts of his outfits came from which periods of which countries, so that I can make each part historically correct, even if wearing them all at once isn’t historically correct. If you think it’s hard tracing down one item from one country and one time period… try 45 different items from countries of unknow origin which you have to study each coutries history to find out where each one came from! eeek!

Well, I finally traced most of the items and their origins and what they should be made out of, and FINALLY, I started my search for the fabric: silk, from Asia, in historically accurate widths. I found silk from Italy 45″ wide, silk from France 45″ wide, silk from India 45″ to 68″ wide. I needed silk from Japan 15″ wide.

I went to my local JoAnnes told them what I was doing, what I needed, the woman looked at me like she thought I was a nut, and than asked “But why don’t you just buy the 45″ wide fabric and cut it down to 15″ wide strips?” Well, because the whole point of making this outfit is to be historically accurate, and my studied showed me that his cloths would have been made of 15″ wide silk, that was sewn on selvage, and part of the design element is the fact that it HAS to be sewn on selvage, so I MUST use 15″ wide silk.

It took me three months to track it down, but I finally found a guy (who lives in Japan) who does nothing but collect and sell 13″ – 16″ wide Japanese silks! YAY! I emailed him, told him what I wanted and he was able to find me five bolts of *OMG* antique handwoven 15″ wide silk. For the first time in my life, I bought a fabric that had a major price tag on it.

I am so happy with my silk. It arrived last week and I’ve been driving my family nuts talking about it steady! LOL! This is the first time in over 20 years, that I have ever allowed myself to buy a fabric for the sake of historical accuracy. The price of historically accurate fabrics, usually sends me off looking at my curtains and thinking: “Hey, I’ll bet I could cut that up to make my garb out of! LOL! Usually I settle for: “Oh that LOOKS accurate enough and only costs $15 dollars”. Yeah… like you said, bed sheets can make great garb, and often I go that road myself, as long as it LOOKS accurate… hey, try looking at the curtains in WalMart… I do that often, the big prints on curtains often have a nice period look to them.

oh yes! I agree with the bedsheets for camp curtains. They are great for that because of their size.

Blankets make the best tent covers! I’ve never used anything else to make a tent cover with! For the tent I made, I needed a thick fur look. I’m an animal rights activist so using real fur was out of the question, and buying fur fabric didn’t set well with me because all I could find was really cheep looking stuff that either had too thick a pile, or too fake looking a color.

I wanted it to look like cheetah or leopard skins, and than I found these throw blankets to go on your couch. They had a nice short “realistic” nap to them, and and the print looked like real leopard. So those blankets ended up becoming my tent cover. (The tent was a 6Wx8Lx5H one person sit in the shade-lay down take a nap type tent, so it didn’t take much fabric to make it.)

I did worry because they were so thick, that they might hold in the heat and make the tent unbearable hot. However the opposite was true. They were so thick that they blocked the sunlight was getting in and kept my tent the coolest bit of shade there was to be found!

I’m planning to make another, more portable one later this year. The one I made is on a frame of 2×4′s and a permanent fixture that has stood in my yard for 3 years now. I still use it, though the fabric is starting the wear thin now, after surviving 2 blizzards and 4 hurricanes.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

BedSheets, Historical Accuracy, and Tent Covers

pawpawpawpawpaw

On an SCA forum, someone asked a question about if it was alright to use bedsheets to make their garb, even if bedsheets were not historically accurate.

For me, it depends largely on what I am making. A few years back I did a velvet gown that required 7 yards for the skirt alone, and than it had these huge triple puffed sleeves and those needed another 3 yards each. Well, than I made it really hard for myself, because I wanted to do it in an old style shade of rose, and no other color would do. I had already plotted and planned and drawn out my sketches, and it HAD to be rose colored velvet. Have you ever tried looking for a dusty rose colored velvet! ACK!

Well, finding velvet in an odd color was one trouble I was having, but the fact that I needed so much of it was the major problem, because I rarely put very much money into the fabric I buy. I tend to root through Jo-Anns, red tag $2 a yd clearance section to find most of my fabrics. It did not take me long to realize that if I wanted rose colored velvet, the only way to get it was to have it special ordered at some $45 a yd! That was a great big: NO WAY! So, I changed my outlook on my dress, and put off sewing it, for about 7 months, because I still could not imagine it in anything but rose colored velvet.

Than, nearly a year later, and nearing in on Easter time, I was in WalMart, and they had just gotten in a whole batch of new Easter fabric… among them, were some pretty pastel colored polyester panne velvets, and a whole uncut bolt of a dusty rose that just screamed “BUY ME!”. Okay, so technically it was stretch velvet or velveteen and made out a fabric that had only been around the last 40 years or so, but the color was perfect for what I wanted, and it LOOKED like real velvet even if it wasn’t real velvet and it only cost $3.95 a yd!

In the end I got my rose colored “velvet” dress, not accurately, but I didn’t care, because it looked the way I had invisioned it.

Of course, as I said for me, it depends largely on what I am making, and so I have yet another story on me vs accuracy, this one currently ongoing. As you may or may not have heard me say before, I am doing what I am told is utterly unheard of and completely impossible to do, (by about 40 different people so far, and I expect that list to grow as my project continues). Hey, keep telling me I can’t do this too, because thats what keeps going… the desire to prove I can! LOL!

Anyways, I am taking a character out of a modern day fantasy comic book and *horrors* recreating his entire wardrobe (6 different outfits) in as much historical accuracy as possible. He’s a prince from 1558 Japan, who grew up in China, than went on a personal spiritual quest all across Asia and picked up various elements of each place he went along the way. And thus wears cloths that are mixed up with Japan, China, Mongolian, and Portuguese elements, plus a few VERY imaginary fantasy elements thrown in to boot.

Oh such fun it is torturing myself like this. I now have to figure out which parts of his outfits came from which periods of which countries, so that I can make each part historically correct, even if wearing them all at once isn’t historically correct. If you think it’s hard tracing down one item from one country and one time period… try 45 different items from countries of unknow origin which you have to study each coutries history to find out where each one came from! eeek!

Well, I finally traced most of the items and their origins and what they should be made out of, and FINALLY, I started my search for the fabric: silk, from Asia, in historically accurate widths. I found silk from Italy 45″ wide, silk from France 45″ wide, silk from India 45″ to 68″ wide. I needed silk from Japan 15″ wide.

I went to my local JoAnnes told them what I was doing, what I needed, the woman looked at me like she thought I was a nut, and than asked “But why don’t you just buy the 45″ wide fabric and cut it down to 15″ wide strips?” Well, because the whole point of making this outfit is to be historically accurate, and my studied showed me that his cloths would have been made of 15″ wide silk, that was sewn on selvage, and part of the design element is the fact that it HAS to be sewn on selvage, so I MUST use 15″ wide silk.

It took me three months to track it down, but I finally found a guy (who lives in Japan) who does nothing but collect and sell 13″ – 16″ wide Japanese silks! YAY! I emailed him, told him what I wanted and he was able to find me five bolts of *OMG* antique handwoven 15″ wide silk. For the first time in my life, I bought a fabric that had a major price tag on it.

I am so happy with my silk. It arrived last week and I’ve been driving my family nuts talking about it steady! LOL! This is the first time in over 20 years, that I have ever allowed myself to buy a fabric for the sake of historical accuracy. The price of historically accurate fabrics, usually sends me off looking at my curtains and thinking: “Hey, I’ll bet I could cut that up to make my garb out of! LOL! Usually I settle for: “Oh that LOOKS accurate enough and only costs $15 dollars”. Yeah… like you said, bed sheets can make great garb, and often I go that road myself, as long as it LOOKS accurate… hey, try looking at the curtains in WalMart… I do that often, the big prints on curtains often have a nice period look to them.

oh yes! I agree with the bedsheets for camp curtains. They are great for that because of their size.

Blankets make the best tent covers! I’ve never used anything else to make a tent cover with! For the tent I made, I needed a thick fur look. I’m an animal rights activist so using real fur was out of the question, and buying fur fabric didn’t set well with me because all I could find was really cheep looking stuff that either had too thick a pile, or too fake looking a color.

I wanted it to look like cheetah or leopard skins, and than I found these throw blankets to go on your couch. They had a nice short “realistic” nap to them, and and the print looked like real leopard. So those blankets ended up becoming my tent cover. (The tent was a 6Wx8Lx5H one person sit in the shade-lay down take a nap type tent, so it didn’t take much fabric to make it.)

I did worry because they were so thick, that they might hold in the heat and make the tent unbearable hot. However the opposite was true. They were so thick that they blocked the sunlight was getting in and kept my tent the coolest bit of shade there was to be found!

I’m planning to make another, more portable one later this year. The one I made is on a frame of 2×4′s and a permanent fixture that has stood in my yard for 3 years now. I still use it, though the fabric is starting the wear thin now, after surviving 2 blizzards and 4 hurricanes.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

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