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My Website ranks at 32!!!!!

OMG! My Squidoo lense now ranks in at 32 on the Squidoo top 100 list! 32 out of 220,000 lenses! I can’t believe it!

Here it is if you want to check it out:

http://www.squidoo.com/PublishingMethods/

Narration for Writers Explained

Attention writers! Have you ever wondered what’s the differance between one type of narration and another? Look no farther, I shall explain them all here. Check it out.

http://www.squidoo.com/Narration-for-Writers/

My Website ranks at 32!!!!!

OMG! My Squidoo lense now ranks in at 32 on the Squidoo top 100 list! 32 out of 220,000 lenses! I can’t believe it!

Here it is if you want to check it out:

http://www.squidoo.com/PublishingMethods/

Why I Write Horror

It has been asked of me, more than once, by multiple peoples:

“How can someone like you, who loves peace, non-violence, and animals; how can you write the horrible things you do in your books?”

This question is most often presented after someone reads about either The Lansquin or The Red Dragon, the two vivisecting blood crazed villains from The Twighlight Manor series.

My answer to that question: As writers we write what we know. Every writer will tell you that they get their ideas from events of their own lives. I am no different than they. As my fans, friends, and family all know, I am more outspoken for animals rights than the average animal rights activist.

Ask anyone who knows me personally, and they will warn you to stay clear of that subject with me. They warn you for good reason. I was only 6 years old when I began my early protests. I lived on a chicken farm. We ate chicken. One day when I was 6 years old it occurred to me that my beloved babies in the yard and the food on the table were both called chicken, because they were in fact the very same thing. I stopped eating chicken and turkey that same day. About a year later I found out that steak was cow, and I stopped eating that as well. By the time I was 8 years old I had become a devote vegan, and have been so ever since. What does this have to do with me writing horror? I’m getting to that.

As most of you know, I had already written the first 2 volumes of The Twighlight Manor series by the time I was 8 years old. Those early stories of cute talking animals and Herbie-esce living cars, were markedly different from the later rewrites that dripped of horror and blood. Friends Are Forever, originally written in 1978, has undergone 3 major rewrites since it’s first creation, each more grim than the last. Why?

By 1982, I heard news stories of a young girl who refused to dissect frogs in science class. The school expelled her, even though she was only 12 years old. The story mesmerized me. It was one of the few times in my life that I became truly interested in watching the news. I began to tell anyone I could about the evils of frog dissection.

When I was 12 years old, I was with my mom, while she was visiting one of her Avon customers. Who was also one of Maine’s most dramatic and outspoken PETA members. I listened for 2 hours as she retold her latest adventures of rescuing a circus donkey, followed by her latest craze: she was hell bent on telling the world about the horrors of a company known as Proctor & Gamble. It was the first time I had ever heard of them. At this time, almost no one knew anything about P&G’s vivisection and Draize testing, as the horror of this fact had only been just discovered that same year. My mom and me went home that day with a carload of pamphlets about PETA and animal rights and how evil animal testing was.

Over the next few months, I sent for every free pamphlet, brochure, magazine, and catalog I could find about the animal rights movement. By the end of the year, the first revision of volume one of The Twighlight Manor series, Friends Are Forever, had been written. Into the series had been added a new set of characters. The cars were no longer living cars, but now had owners who had taken on the characteristics the cars had had. That same year I would start writing The Wild Years.

the new characters included also a new planet into The Twighlight Manor solar system: Planet Diona, and its formidable scientists who had infiltrated the earth. Testing lab scientists on Earth, were no longer humans, but now aliens. A later, rewrite would change this, and instead of animals, the alien scientist would do word for word everything that P&G did, only my scientist would do it to humans.

In 1993, The Twighlight Manor series took its final turn, becoming what it is known as today, when the addition of a prime villain known as The Lansquin was added to the series. The Lansquin was everything in my book that Proctor and Gamble was in real life. Every bloody glorified horror straight from the laboratories of Proctor & Gamble went straight into my books, under the guise of a deranged madmen bent of torturing every human to cross his path. His reason? For the good of science. For the good of mankind.

And that is how I came to write horror.

Though I write a wide range of other things, including children’s books and romance, it is for my Twighlight Manor series and it’s M rated graphic tales of horror that I am most well known. Yes, I love animals. Yes, I hate war and promote world peace. Yes, I abhor fighting and violence. And yes, I write some of the most graphic tales of gore ever written. Why? It is because I love animals and hate fighting that I write what I do: to open readers’ eyes, so that they too, may come to hate fighting and love peace. Peace for all, including peace for those who cannot speak for themselves. I speak for the animals. I write the tales they themselves cannot tell. I write in memory of those who died for the name of science, for the good of mankind. That is why I write horror, so that the animal who have died at the hands of P&G scientists, may not have died in vain.

~~Wendy.

Work From Home, Is It Possible?

Work From Home, Is It Possible?

Everyone asks this question, and for those of you with this goal, you prob’ly find yourself asking it more than most people.

Yes, it is, and not really that hard to start either, though most find it hard to keep going. First you have to ask yourself, what is it you want to do?

The most successful work at home jobs are the ones you created yourself…my uncle started working at home in the 1960’s building clay bricks, and building houses for people out of them…today he owns a multi-million corperation that not only builds houses but also building brick churches, but he still runs the buseness out of his home, and he works longer and harder than the average non-home worker.

My mom worked at home too, she was a professional seamstress, sewing fancy dresses for little girls, christening gowns, and cloth dolls. At one point she bought her own brick and mortar store (the house next door to us) and was selling to summer tourists (in Old Orchard Beach we see an average of 2 million tourists each month), but the shop proved to be a bigger home business than my mother had expected. She had no time to sew the crafts anymore, which was her passion, so after 3 years, she shut it down and sold her items to other shops on consignment instead. Now she is hoping to build a web site and move her opperation online by next year.

My dad, he worked at home too, he was a rought driver for the local newspaper, delivering the Portland Press Herald, the Sunday Telegram, the Boston Globe, and the New York Times to over 1000 customers 7 days a week 365 days a year, with not one single day off for the past 21 years… his annual gas costs are over $5,000 each year, and he goes through 3 to 4 cars a year, his annual income was under $12,000 a year.

Another uncle of mine works at home, as a real estate agent. He at one point cliamed to own a multi million dollar alpaca farm in Astrailia. (I can’t verify that as I have never been to Austailia, so never saw the farm myself). Last I heard he had given up on the real estate business in favor of yet another work at home business he had set out to create. Don’t know the details on that, or if it succeeded or flopped.

And yet another uncle works at home, buying juck from yard sales and reselling it at flea markets. His income is average of $10,000 a year, but he does this as a side-line hobby. If he set out to do this full time instead of part-time in his spare time, he could easily triple that figure.

I work at home: I am a writer of both fiction and non-fiction, and I own a small press publishing house which I built myself from the ground up.

So in answer to your question, does work at home exist?

Yes, it does, but it is not a get-rich-quick-scam-artist-work-at-home; that type of work at home well banckrupt you quicker than you can blink. REAL work at home is when you take a skill and use it to help those around you. If you are hired by a business, they pay you for your product/service. If you start your own business, you get paid when your customers pay you. It may look like a private or small business to the world, but it is in fact you working out of your home and thus working at home. However, it is hard work, long hours, no vacation, you get dirty, you get tired, and in the long run, not working at home would have been much less stressful and much easier.

In short working at home is not a get rich quick scheme. Working at home IS NOT getting paid to take survies. Working at home is not, clicking on ads on Google. Working at home is you getting a business lisnce and settingup shop, either online or brick&mortar, and selling your product or services to your customers. Most people are not cut out for the hard labor and long hours of working at home, but for those of you who are, it’s the best thing you could ever do..

Remember:

Employers ask you to fill out a job application, and will ask for past job referances, your SSN, and your criminal records history.

If you did not fill out an application, you did not apply for a real job.

If you filled out an application, but paid for the application form, you got scammed!

and if you can’t find a business to work for: start the business you want to work for an be your own boss in your own home.

We know this, saddly from experiance.

Back in the early 1980’s my mom saw just such an ad in a magazine. BIG promises of lots of money. She sent the money in, for not one ad but 2 differant ones. The first promised big bucks for sewing baby bibs, the second for making beaded earrings. Both ads were pretty much the same: send in a certain amount of money and they’d send you the supplies, you make the items and send them back to them, they sell them. Simple, sounded great, my mom had at one time been a seamstress, she thought she could sew up a storm of baby bibs for a legit company to sell them. That’s what we all thought, we should have read the fine print…or rather, we should have taken a notice that there was no fine print to read! Or maybe that it was a P.O.Box and not an actual address that was listed in the ad, that should have tipped us off.

Well, the supplies came, most of it cheap junk that we could have gotten cheaper and better quality at a dollar store, my mom haveing been a profesional seamstress thought that useing this absolute crap to make these items seemed pretty stupid and unprofessional but, that’s the items the company used so that’s what they sent…alarm bells should have gone off than…we should have realized that no REAL manufacturer, is gonna use such poor quality supplies to make their goods.

Well, we (my mom, my dad, and me) set out to sewing baby bibs and beaded earings. Comes time to send the items back and low and behold, the P.O.Box had been cancled, the “company” turned out to never have existed, and we were stuck with a bunch of stuff we couln’t use or sell.

We learned a lesson. It wasn’t a very big investment, less than $100, but it was not money well spent…or maybe it was, because it taught us to look at these scams with open eyes and questioning minds.

We learned a lot of things:

We learned to read ads more closely.
We learned to question “companies” with ONLY a P.O.Box.
We learned to ask the company for a job application form.
We learned to ask for a history of the company.
We learned to do a background check on the company.
We learned to never pay money to get a job.
We learned to REAL manufatures don’t put ads in magazine classified.
We learned to that most manufactures only hire local residants, so that the employee has to bring the items right in to the factory to be inspected, before the company well accept and pay you.
We learned that REAL jobs assembling items for manufactures, are rare and few and far between, and that you could be on a waiting list for years before they need enough help to get all the way down to your name on their list.

Now we have the internet, and it seems that with it came millions more ways to scam people out of their hard earned money. Every day thousands of new Work-At-Home, Get-Big-Bucks websites are added to the net. A Google search will bring up millions upon millions of them.

When I look at these sites, with their promises of BIG MONEY. I laugh. You see I own more than 200 web sites, 12 fanlistings, and 13 private message boards. I know how to build a website, quite well, maybe not to proffessional standards, but pretty darned close, and than I see these scam sites: many of them are made useing Geo-Cities, Yahoo, AOL, Earthlink, and countless other “free home pages”. Right off the bat that fact alone should set off a RED WARNING ALARM in any person, but it seems that many people do not even notice this fact, and send their money in.

A REAL company would not be useing a “free home page”…a small craft shop run by the sweet little old lady next door, might use a free home page to sell her knitting and cloth dolls, but she wouldn’t be asking you to send money to make money…no she’d show you a picture of her dolls with a price for each one. The Goth girl down the road might use a free site to peddel her homemade velvet capes, while the Wiccan next door lists home made soap on her MySpace. These are people like me and you who are working at home and selling what they make. These people are legit, and you’ll notice they never ask you to pay for a membership before they allow you to buy their products. These people are small business owners working from home.

The free sites that ask you to spend money to make money… those are the ones you got to watch out for. Those are the scams.

If you see a site made by a free home page site, and offering you lots of money for doing next to nothing, run for the hills, because there is no company that is going to use a free web host to seek out workers. Not a single one.

My hope in writing all of this is that it well help you to weed out the scams from the real work at home jobs.

To all: Good luck on your goal.

~~EK

See more progress on: work because I like to, not because I have to

Self Publish? Vanity Press? Traditonal Publisher? Something Else?

A question I see time and time again is: Is *name of business here* a self publisher, vanity press, or traditional publisher? How do I tell the differance?

While there are many branches of the publishing tree, these 3 are the big limbs, from which all the branches shoot off of. Here is how to tell them apart:
a self publisher, is an author who gets a business license, buys the ISBN #s, hires a printing press (print shop/printer) to print the books, than sells them themself… the author keeps 100% of the profits, because no one pays royalities; you keep 100% of the copyright (which btw, does not cost a penny)… you market the book and distribute it through local bookstores and Amazon.com

a vanity press is a print shop/printer/printing press, that does that for you, they usually ask you to pay money for them to edit your MS, they also chagre you if you want a color cover, (often they charge you for such things as “the right to keep your copyright”, or the ISBN #, in addition to the cost of everything else they chage) and than pays you a percentange (royalty), after you first pay them for the books… the royalty they pay, though it may sound high, is actually very low, because you don’t see that money until after they have deducted what you “owe them” for printing the books… in short, they make money, while you go broke, and you may or may not get to keep the rights to your book, depending on how much money you paid to buy your own rights back from them… you market the book and distribute it through local bookstores and Amazon.com

a traditional publisher, hires editors who read your MS which you send to them; they recive thousands of MSs each week, so it may take up to 2 years before they get around to reading it; after they read it, they either reject it or accept it; if they accept it, you well be sent a contact (and often with a recommendation that you go over it with your literay agent/lawyer before you sign it). Once you sign the contract and send it back, than the publisher’s laywer checks it to be certain that all is in order (and done legally). The publisher is given the tempory copyright allowing them to print and distribute your book to the public… they hire and editor to type set and spell check your MS, than they hire an artist to create the cover art, they distribute the book to bookstores worldwide, you never own them a cent, they pay you royalties

in other words:

self publishing is you starting your own business (a publishing house) and earning an income

vanity press is you doing a lot of hard work, getting your book printed, and getting scammed out of the money that should be yours, while they get rich and leave you with nothing

traditional publishing is you hireing a business to to the work for you and you both earn an income

I hope this helps

~~EK

Conventional Advice that Didn’t Work for Her (or Me Either!)…

Patricia A. Duffy says that when it comes to writing,  “Conventional Advice Wouldn’t Work for Me”.  After reading her article, I have to say that basicly, she has said pretty much what I would have said, and what I do say, whenever someone asks me.

According to Patricia A. Duffy:

1) Write every day.

This piece of advice is repeated in almost every book on “how to write.” Maybe some people need this sort of discipline, but I would find it counterproductive. Sometimes I write feverishly every day. Sometimes real life intervenes. I have a demanding job and a family. If I believed I had to write every day, even when I absolutely had no time, I’d quickly grow to hate writing and I’d stop doing it. Mostly, I have more ideas than I have time to process, so “forcing myself to write” is not a problem. And during those periods when “real life” heats up and I can’t write, I don’t feel any guilt. Why should I? Writing isn’t a religious penance or a health routine. It’s something I enjoy.

My responce to what she says:

You’ve heard it preached from the pulpit of every sacred book on writing: WRITE EVERY DAY!!!

Now ask yourself this: What does writing mean to you? Is writing a hobby or a career? How did you answer?

A hobby?

If you think of writing as a hobby, than who cares when you write? No one. If you write as a hobby, than who cares if your writing gets sloppy? No one. If you write as a hobby, than who cares if you ever get published? No one. If you write as a hobby, than by all means writer seven days a week, 52 weeks a year, because you know what? If you are writing because writing is a hobby, no one cares. Why? Because hobby writers write for their own pleasure. If they get published, it’s a great big WOO-HOO! for themselves and their family. But very few hobby writers ever get published. Why? Because they are content to post their stories on message boards and web-sites and blogs. They are happy to see their work on the internet. Writing after all is just a hobby to them. They are content with what they do.  So, for writers who write as a hobby, it is not important when they write, because their family is not dependant on the writing. Just search on Google for Fan-Fiction. Millions of stories are posted all over the internet, but because they are written by hobby writers, tthose stories well never be printed in books. They well never be published, but no one cares, not even the writer. So why than does it matter if the hobby writer writes every day?

Let’s look at the other side of this story.

Now ask yourself this once again: What does writing mean to you? Is writing a hobby or a career? How did you answer?

A career?

I ask you: What is your day job? Do you  wait tables? Drive a school  bus? Are you a cashier at the local super market? Maybe you teach high-school geography? Whatever it is that you do for your day job, ask yourself this: How many days do you work each week? A few well say three, some well say four, almost all of you well say five. By law your employer is required to give you at least two days off each week. That’s a law. That law is enforced. If an employer asks you to work more than five days a week, they are required to pay you time and a half. That too is a law. Why? Because even the government knows that you can’t get the job done if you are not given a day or two of rest. If you work seven days a week, you well run down, wear out and get sloppy. Your work well suffer, because you didn’t get a day off.

So, we come back to your answer: Why do you write? Hobby or career? If you said career, than you know that being a writer is just like every other 9 to 5 job. Nine o clock you sit down at your desk and you start writing. Around noon you take an hour break for lunch. After lunch it’s back to your desk to write until five. Five o clock comes around and no matter how compelled you are to keep writing, you put down your pen, turn off the light and don’t go back to your desk again until tomorrow morning when nine o clock rolls around again. Like any other job, you take the weekend off. Why? Because for you writing is more than a hobby. For you writing is what puts food on the table. For you writing is what puts clothes on your children. Writing just paid for your teenager’s PS3. Writing pays the mortage. Writing pays the vet bills caused by the recent pet-food recall. You write because writing is your career, your job, your livelyhood. For you writing is not a hobby. You can’t afford to let you writing get sloppy and you know that, which is why you also know that it is foolish for you or any other writer to think that it is in your best interest to write every day.

And that is  why I do not write every day.

Moving on to myth #2…

According to Patricia A. Duffy:

2. Don’t Edit Until the First Draft is Done.

I edit obsessively as I go along. I like rewriting things. I can’t imagine another way to write and would be utterly incapable of completing that first draft if I didn’t do it this way.

My responce to what she says:

This, I think, depends on the writer and what they are writing about at the time. Personaly I do not believe in editing as you write, as a general rule. Why? I find that when I am writing, I  write better if I don’t stop. I have learned to ignore typos and spelling mistakes, to turn a blind eye to bad grammar, and to not listen when my mind says I should go back and re-write what I just wrote. Why? Because if I stop, it creates a speed bump. That speed bump slows me down and causes me to go lose track of what it was I was writing. So I find myself going back to where I had stopped, because I have to re-read what I wrote several times before I can remember where it was I was going with that train of thought. In a sence by stopping to edit while I was writing, I have now derailed my writing train, and put it back on a new track, and it just can’t get back onto that old track, because the old track for some odd reason is no longer there. On a road, a speed bump just jostles your car a bit and make you slow down, but on a train track, that same little speed bump not only jostles the train, but knocks it off track and sends it flying into the oncoming train on the other track. That speed bump is now a mangled mess of crumpled train cars, which ow must be towed away and tossed into  a junk heap. A huge rusted junk heap towering high above your head. The next thing you know you can’t write anything at all because all there is is a pile of mangled wreckage. You have hot a writer’s block.

So, where are we now? Well, for me, stopping to edit while I’m still writing is the deadliest thing that can happen while I’m writing. Usually, but not always. This is just me though, and as I said, all writers are differant.

Moving on…

According to Patricia A. Duffy:

3. Use Note cards or Notebooks to Organize Ideas

Even the thought of using index cards to organize fiction ideas is almost enough to make me run screaming into traffic. In my mind, these little cards will forever be associated with undergraduate term papers. I don’t use notebooks because I hate to write longhand. I do all my writing on the word processor — even background notes for novels. Actually, I prefer to do background for novels as short stories, even lame short stories with no chance of selling. I see things better that way.

My responce to what she says:

As most of you know, I never went to school. I can’t identify with term papers because I’ve never had one, let alone seen one, and I’m not realy sure what they are, except that everyone who talks about school talks about term papers too. I’m not sure what an undergraduate is, I’ll look it up next time I’ve got my dictionary at hand. For those who have followed my posts on the net since 1997, you already know that when I joined the internet world, it was my first time typing. I had never used a keyboard before in my life. Likewise, I had also never learned how to spell. I wrote at that time in what I have since been told is a form of a “native lingo of my own invention, cause by lack of previous contact with humans”. In 1997, I first I joined the internet, and became an over night celebrity, not because I posted on every forum and chat room I could find, but because people were fascinated by my complete and total lack of any ability to spell. In the years since that time, my fan following grew to a cult status as people set out to teach me how to spell via online forums.

Than came a revilation to the world, that no one had befor known: My books, the Twighlight Manor seires, several thousand pages, and countless drafts of each, had never seen typewritter, I had written all of them in longhand. The manuscipts where totally written in bright colored notebooks with Lisa Frank art on the covers: thousands of them. Some 40 boxs worth of notebooks, stacked floor to ceiling. Noetbooks that I have been writing in since 1978. Thirty years worth of notebooks.

Today, I still write my books in longhand. I still hand write all of my manuscripts in bright colored children’s note books. To date, I have only ever written one outline. I have never used index cards. I do not type my manuscripts until after haveing hand written several drafts. I do not organize my ideas, my ideas flow from my mind at a rapid rate, and I write them as they come. No notes. No note taking. They are not my style.  They do not work for me.

And finally we come to:

According to Patricia A. Duffy:

4. Keep a Story Circulating until it Sells.

This is another piece of almost universal advice that I don’t follow. I tend to select my markets rather carefully. If something is rejected at the market I’ve thought most probable for it, I will normally only try it on one or two other markets before giving up (or in some cases no other markets). Although there are a lot of magazine markets for speculative short fiction, there are actually relatively few professional markets for speculative short fiction of any given type. I guess my economics training makes me weight the possible benefit (payment for a story) by my subjective evaluation of the “odds” of being published in that magazine. If the weighted payoff is less than the postage, I put the story in a drawer and work on another one.

My responce to what she says:

In some cases, this is true, in others it is not.

Some times I write for copyrighted characters not of my own making. For these stories there is only one publisher that I can legally send the stories to. If they reject the story, than that’s it. It can’t be sent to anyone else.

More often I write stories of characters of my own invention, and for these, I can choose any publisher I damn well please. I can also choose who I DO NOT want to publish it. Than again I can also choose to do what I usually do, and that is to self publish my stories. That is how I came to own my own publishing house. It is through owning my publishing house that I came to become an editor. Today I am a writer, a publisher, and an editor, because I reserved the right to choose when, where, and to whom I sent my manuscripts too: no one!

Well, that is my take on what Patricia A. Duffy says that when it comes to writing,  “Conventional Advice Wouldn’t Work for Me”. 

~~EK

Happy Easter from EelKat, Moonsnails, and the Vampire Easter Minions!

Happy Easter from EelKat, Moonsnails, and the Vampire Easter Minions! May they inspire you to write about dancing vampire bunnys!

 

EelKat

Moonsnails Magazine

“Where reality becomes a dream & dreams become reality.”

Submission Guidelines for Moonsnails

 

Basic Submissions Guidlines:

This is a quick overview of our basic guidelines. See our fully detailed guidelines for each seperate genre on our Submission Guidelines website.

Status:
Moonsnails is currently accepting submissions

Title:

Moonsnails Magazine

Magazine Format:(projected)

Quarterly: 6″ x 9″, 96 – 132 pages per issue;
60 lb bright white paper, B&W text; 10pt glossy laminated perfect bound full color cover

Circulation:

world-wide though print on demand

Contact Info:

Wendy C. Allen, editor-in-chief, twighlightmanor@yahoo.com

Submission Format:

Send in body of email, 12pt Courier or Times New Roman or Send at attachment .RTF 12pt Courier or Times New Roman.

Payment:

copies only at this time; buys one time rights, (the right to print story in one issue; author retains copyright)

responce time: 2 – 6 months

Needs:

Short stories up to 13,000 words.

Literary Genre fiction. Cross-gen OK.

Rarely uses poetry. Poetry used only if it can be considered a full-fledged story, complete with characters and plot. Never accepts free-verse.

Genres Accepted:

Sci-fi, Fantasy, Gothic Romance, and “mild” Horror

Sub-Genres and Cross-Genres Accepted:

Action, Adventure, Alien Invasion, Alien Realms, Alternative Histories, Amateur Detective, Americana, Ancient Civilizations, Animal Stories, Biographical Fiction, Christmas, Classic Literature, Colonial America, Cryptozology, Dark Fantasy, Dragon Tales, Easter, Ethnic Fiction, Espionage, Faerie Realms, Fairy Tales, Family Sagas, Fantasy, Folklore, Frontier Sagas, Furries, Futuristic, Ghost Stories, Gothic Romance, Halloween, Hard Science Fiction, Haunted Houses, High Fantasy, High Seas Adventure, Historical, Horror, Humor, Inspirational, Kung Fu, Literary, Mad Scientist Sci-Fi, Mermaid Tales, Military, Mystery, Murder Mystery, Paranormal, Pirate Tales, Psychological Thiller/Terror, Regional: Maine, Regional: Quebec, Romance, Science Fiction, Serials, Short-Shorts, Slueths, Space Fantasy, Space Travel, Spiritual, Sword & Sorcery, Supernatural, Suspence, Thiller, Time Travel, Twilight Zone style, UFO stories, Unicorn Tales, Utopian Realms, Victorian, War, Western, Wizard Tales, Young Adult.

Things Rejected:

Rejects all stories that contain:

abortion, animal abuse, child abuse, cutting, death glorification, depression, depressive self-pity, drinking, drugs, elder abuse, erotica, expose`, gore, hatred, hunting, politics, pornography, sex, smoking, swearing, suicide, vulgar verbology, and stories about “how my teenage years were crap”.

Stories must be family friendly and rated PG-13 or less

Poetry Needs:

We focus on short stories, thus rarely use poetry.

Sometimes accepts poetry, at best it’s only 4 poems per year, IF it tells a story and has strong characters. Same as fiction needs, seeks longer “epic length” story poems akin to Robert Browning’s Pied Piper of Hamlin, Edgar Allan Poe’s Raven or Dr. Seuss’s Green Eggs & Ham. Prefers long rhyming poems with strong characters and a strong story plot.

Poetry Rejects:

Same as fiction rejects, plus: Does not accept free-verse poetry, haiku, short poems, poems without characters, poems without plots, meaningless ramblings, odes to…, poems without rhythem, or any other type of poem that does not tell a complete story from beginning to end.

Cover Art:

Usually done “in-house”, but well consider submissions of full-color photography or paintings, covering any genre. Always seeks beach and ocean themed photos or paintings. Do not send originals. Email files as atactment. Files must be compatible with MSWorks, MSPaint, or MSPublisher 97, .jpg files prefered. Note that we can not accept .tif files, our email treats them as a virus and deletes them. See fiction for needs & rejects list. Buys one time rights.

Art & Inside Illustration:

Usually uses spot illustrations and copyright-free/public domain illustration, but well consider submissions of B&W, pen & ink, line art only … no pencil, no shading, no grey-scale, no color, our printer well not accept them. All illustrations must be 4″ x 6″ or smaller and camera ready. Do not send originals. Email files as atactment. Files must be compatible with MSWorks, MSPaint, or MSPublisher 97, .jpg files prefered.  Note that we can not accept .tif files, our email treats them as a virus and deletes them. See fiction for needs & rejects list.

Advice:

Best advise: buy a copy of Brian Froud’s Faeries. Use it as though it were our Submissions Guidelines. Treat it as your Writer’s Bible. Use it to create believable fantasy characters. Never go anywhere without it. If you want to write for us than consider Brian Froud your new best friend, read everything he ever wrote. Study every painting he ever did. Watch every film he ever created. Watch the 2 movies written by Brian Froud: Dark Crystal and Labyrinth.

Read the Retief series by Keith Laumer and The Hitchhicker’s Guide to the Galaxy by Douglas Adams. We like that kind of sci-fi best.

Watch Star Trek (the original series), Twilight Zone, Outer Limits, X-Files, and Tales From the Dark Side. Let them inspire you. If your story would make for a good episode on one of them, than we want to see it!

We like to see strong characters. Character driven stories. Well written plots. We like fantasy realms, dreamscapes, and alien planets. Creativity is always welcomed. Pirates are always good, we need more pirates. Always seeking stories about Mermaids, Sirens, Dragons, Unicorns, or other creatures of the Realm of Fay. We like to see characters that Brian Froud would have created.

Let your imagination run wild.

Twighlight Manor Press Home Page

Twighlight Manor Press Home Page

Business Plans: Moonsnails Magazine: We’re Back!

In fall of 2005 Twighlight Manor Press announced that it was planning the release of a new magazine, which at that point was untitled and it‘s genre unknown. Our original idea was to keep it local; local writers, local sales, local flavor to the stories. Market research, however showed us that that would be a very unprofitable venture that would doom our magazine to failure before it’s fifth issue. We had to rethink out plan.

Over the next several weeks we threw around ideas and finally decided that the magazine would be a fiction “literary journal”. At first we planned on “all good fiction”, but than after studying the market, realized that this was virtually a bottomless pit, that would result in more manuscript submissions than our tiny staff of four would be able to handle.

Another thing we decided early on, was that, we wanted to stand out on bookstore shelves. Looking at other magazines sold at a local bookstore, Nonesuch Books in Saco, I discovered something. Rack upon rack of magazines, where all the same: 8×11” glossy and flimsy issues, that would not stand the test of time on a bookshelf, given them a shelf life of just 3 weeks. (This short shelf life was according to a study I found online.) According to that study, only a few magazines would be shelved and saved to be read again and again for several years. These magazines had good content and a sturdy binding. I went to Nonesuch Books looking for magazines with good content and study bindings, and was amazed at how few there actually were. In the end I found only three, out of the hundreds of magazines the shop had on the racks. By the end of this stage in our study we came to one conclusion: this magazine, was NOT going to be a 8×11” glossy; instead it would read like a book, with crisp white paper and a square bound “paperback” cover.

After some more market studies, we came to the conclusion that rather than focusing on fiction in general, we would instead use the same rule we use for writing: Write what you know. In our case it would translate into: Publish what you read. All four of us are sci-fi buffs. Sci-fi movies, sci-fi TV, sci-fi comics, sci-fi books… well it seemed only natural that we would thus choose sci-fi as the genre for the new magazine.

By January of 2006 we had a pretty good idea of what we wanted to do with the magazine. On Space Dock 13 (the website) we announced that the magazine was a defiant go, and we were planning it’s release later that year.

With our genre in mind, we set out the name our new magazine. After several weeks of debate, only one thing was agreed upon: that the magazine must have a sci-fi sounding name and that it should reflect our local home base, namely that we are on the world’s most beautiful beach: Old Orchard Beach, Maine.

In April 2006 we introduced the world to two new websites. The first was the message board for writers: A Writer’s Desk. It was our hope that through here we would find new talent seeking to be published in our magazine. A message board built entirely to promote the magazine, today it stands on it’s own and has no connection to the magazine at all.

Our second Website was of course the homepage for our magazine. We had finally decided on a name, and that name was: Moonsnails. After a walk to the beach that cold April, me and my three brothers returned home with tote bags filled with Old Orchard’s most beloved seashell: the Atlantic Moonsnail. Later that day, while sorting the shells on the lawn, it hit me: Moonsnails was the perfect name for our magazine, it kept the local flavor and it sounded sci-fi. Later that week Moonsnails homepage went online.

By the end of April 2006 we were getting quotes from various printers, both local and online. Announcement went out with the news that Moonsnails would see its public release in September of 2006. We were off and running, and than came May 9, 2006 and the flood that washed away all of our plans, destroying everything we owned and bringing Twighlight Manor Press to an instant standstill. We lost everything, the building was condemned, and nothing survived. As far as the business was concerned, we were back at ground zero.

That same day, as a result of the flood, my dad went into a coma. In July of 2006, my dad awoke from the coma and returned home disabled and in my care. In September of 2006, instead of releasing Moonsnails, we found ourselves in the midst of fight to save our land from a local land shark. The result was my dad’s return to the hospital. In October of 2006, a fire swept through. What little we had that survived the flood, was destroyed in the fire and we were faced with fighting out Maine’s frigid winter in a tent, a fate that did not sick well with my disabled dad’s rapidly failing health.

In January of 2007, things took a turn once again, this time in our favor, and we found our selves with electricity, heat, and a roof over our heads, for the first time since May 9, 2006.

Reunited with my computer, I was amazed to find, that in spite of the flood, in spite of the fire, the hard drive remained intact, and with a few minor repairs, it runs as good as new. It looks like hell, a bent mangled mess, but who cares, all my files are still here! All my plans and templates, all those months of research and market studies: they had survived! With that knowledge in hand I set out to pick up the pieces, and once again, plans are underway, full speed ahead, to bring Moonsnails into production.

And that brings us to today. Nether flood, nor fire, nor cold of winter, could stop Moonsnails. Moonsnails rises once again.

~EK

LuLu Has a New Blog here on WordPress…

Well, my goodness! LuLu, every writer’s favorite printer, has got a blog here on WordPress!

For anyone not familiar with LuLu, you can read this post  from their blog:

So, what’s Lulu?

Posted by henryhutton under Lulu , publishing
1 Comment 

Good question. Let’s start here:

Our founder is Bob Young of Linux fame. He founded Red Hat in order to bring Linux into the world as a viable product that could compete against Microsoft, and harnessed the power of a world-wide developer community. And, as you know, Linux is open source, so users have much more control over how they use it, and therefore aren’t at the mercy of someone else to improve it. They, the user of the product, hold the keys to the castle. If you want to have a feature added to Microsoft Word you can request it, and you might get it in a few years if enough people complain. If you want a feature or functionality added to Linux that can happen much easier, and generally in a level playing field.

In many ways Lulu was the same idea, but taken one step further…
CLICK HERE TO READ THE REST OF THIS POST

Great Bit of Advice for Us Writers.

I
have just come across this amazing article for writers, and had to help promote it. I pasted it here for you to read. Be sure to check out the link back to the original blog and read the other articles they got up.

  

  

Creativity, quantity and showing off

Tuesday, April 3rd, 2007 in Chillout & Ambient music., Design and Art., Writing., Uncategorized

It seems lately, that I have been getting quite a few emails and comments from people saying that they are surprised at how fast I am at releasing new material, or how much stuff I am creating. I briefely addressed a few of these in my comments to Amber Erin, but I thought I would expand it and use it as a post.

(1.) Write everything down. ~ Or at least document the idea somehow. I know a lot of artists and designers suggest keeping a sketchbook with you. But my usual day doesn’t allow me to carry something around with me. So, most of my ideas end up on scraps of paper and napkins. Then if I really need them to stick around for awhile I put them in a notebook for future reading. Really, document everything. If the idea doesn’t cross your mind again it is lost. You need to put it somewhere where you can see it again, or at least think on it more. Most of the time I might be able to keep a vague notion of the original idea, but the colors or the layout is lost on me. Writing it down is the one thing that will keep the idea or design fresh in my head.

(2.) Show people you work.

 ~ Almost all of my work is for public consumption. Very rarely do I create for my personal viewing or pleasure. Even if I make something that will directly benefit my personal life (for instance, the October sounds Lovely project) it still gets released to the public for their use. The more you get your art or writing or music out there the more people recognise your name or style. If you write then start a blog or find a e-zine that will take your submissions. If you illustrate or draw, then get an online portfolio or spend some money on a website. If you do photography then dig into Flickr or some other online portfolio. If you make music then grab a myspace music account or Purevolume or something. And you don’t have to give everything away free. If it is good, charge for it. People will pay if they like it or feel they can use it. Just get it out there. Get your name out there. And don’t feel you have to release a full project every time. Sometimes I really enjoy releasing something in parts. If you can get a partial project done faster and out to your fans, you can keep their attention.

(3.) Feed your creative brain.

~ It will grow. Find books on your favorite subject. Or seek out the (inevitable) hundred sites out there for your hobby. Put your brain through some schooling. Go to a concert or a gallery opening. Go sign up for a free class. Or even better, ask someone if you can tag along with them for a few days. A few hours with an artist doing what you want to do is priceless. And do other creative things. Draw, sculpt, plink around on a piano, write a poem. The more you engage your brain, the more you will keep it strong and alert for your next project.

(4.) Set aside some time to create.

~ You need to create if you are going to be creative. But that takes time. You need to carve out some sort of free time for your hobby or talent. Even if it is ten minutes before bed to write a poem or taking a lunch break to sketch a picture, or an evening a week with your instrument of choice, quality time is very helpful. The more time you devote to being creative, the more quality stuff you will output. Budget your week so that you can get a few hours here and there to make things.

(5.) Get a second opinion.

~ Not everyone likes every thing. If your friends don’t like the music you make, take it to someone else. Every niche out there has a fan base. No matter what you are creating, no matter how experimental or out of the box it is, there will be someone out there who really loves it. Find those people and show them your creative side. Don’t quit just because someone says they don’t like your art or writing. Keep doing it and eventually you will find the perfect group of people just like you who are excited about your work.

(6.) Save your leftovers.

~ I always have leftover design stuff. If you designed something with a red flag and eventually decided to drop the flag keep it in a side folder. Eventually you might use it, or be inspired by it. Keep a folder or a sketchbook or a file that has all your leftovers from previous projects. I have a whole folder of sounds that I are leftovers from my music. A breakbeat here, a string part there, and a bassline from somewhere else and suddenly I have the makings of a new song. Keep everything, you might just use it some day.

(7.) Find your heroes.

~ No matter what you are doing or what your hobby involves, there probably is someone out in the world that is already doing it. Find those people. Find the heroes of your trade or hobby that have made your jaw drop with their work. Don’t copy them but let them inspire you and give you something to beat. Every great work has been created while standing on the backs of giants.

(8.) Decompartmentalize (put things together). ~

 This is one of the things that I am really trying to work at in my life and work. I tend to separate everything and put each in their own catagories. So, by forcing myself to combine music and design or writing and illustration (or all 4 together) I am driving my creative brain into new areas. Think multi-media. Learn to combine things that usually wouldn’t go together. Design a new cookbook or do an illustrated music project or photograph something and write about it. Learn to experiment and put things together.

(9.) Limit your self (give yourself constraints).

~ I find creativity thrives in limited environments. Necessity is the mother of invention. Put limitations on what you are creating. Give the project some rules. For instance, maybe you could do a whole series of paintings in a specific color and specific size (all in blue at 12 inches each). Or make a music project in just the key of E. Or write a series of poems with a specific rhythm or count (haiku or limericks). You would be surprised at what comes out when you make your brain work within certain constraints.

(10.) Learn to market yourself.

~ Do things that will draw attention to your creations. Get business cards with your online portfolio address. Send post cards to people. Set up a booth at a trade show or an art show. Look into getting gallery time. Find radio stations that will play your music. With the net and a little creativity (which you already have) you can put your name and project in front of millions of people. It doesn’t take much time or money to launch a successful project.

So, those aren’t perfectly written, but I hope they help stir your creative brain a bit. There is so much you can do with just a little bit of time and effort. Life is to short to get bored. Go make something.

z.

Now I ask you, wasn’t that a great article?

~~EK

testing tags

having a problem getting posts to show up… testing to see if tags are working yet

Attack of the POD People! They are not evil.

Are you a self publisher? Maybe you have a manuscript you want published, but you are not sure if self-publishing is right for you? I’m a self publisher myself and I’m always looking for ways to improve, so as you can expect I spend a lot of my “blog reading time” looking for blogs that help writers in general and self-publishers esp. Well, today I came across a new blog I hadn’t found before. My search lead me to this post:

POD is not Vanity is not Self Publish

April 1st, 2007 · No Comments

POD is a technology. It’s a way to print books. It’s quite useful for printing small quantities, particularly if there is intermittent demand. LOTS of publishers who are not vanity houses or scam mills use POD technology. University presses spring to mind, as do very small limited runs of very tightly focused books. POD is not evil.

Vanity presses can use POD technology OR they can use webfeed technology. Vanity presses are essentially printers with some support staff. They’ll help you print up nice editions of whatever you want. You pay for this. It’s called vanity because they don’t acquire the book. Acquire means there is an editorial staff choosing particular books to publish. Vanity houses do not maintain lists, issue catalogs or sell books in bookstores. Vanity presses are not evil

Self publishers can use POD technology or webfeed technology. Self publishers are not vanity presses in the everyday sense of the word. They are “vanity” in the sense that there isn’t an acquisition but the two phrases are used to mean different things in publishing. Lots of people self publish for a lot of reasons. Self publishing is not evil.

POD/scam mills are companies set up to persuade you, the author, that printing your book with their company is the equivalent to having it acquired by a publisher. They charge you money. Unlike a respectable vanity press, they don’t copy edit or produce high quality products. They are out to make money on volume. They prey on author’s insecurities and lack of knowledge. POD/scam mills are the scum of the earth.

Whether a company is the scum of the earth depends on how they run their business, not how they print their books.

There are several POD companies that do not try to persuade you that you have but to print up books with them to be on your way to fame and glory. Lulu and CafePress come to mind. There are others I’m sure.

– Miss Snark, the literary agent

[via To Publish a Book]

→ No CommentsTags: Self-Publishing · Articles · Books

to the authour of this post, I say:

bravo!

*insert clapping smilie here*

every one with a manuscript should read this post, if you know someone with a manuscript pass this on to them.

~~EK