RE: BurdaStyle: Where do you find sewing inspiration?

Well as is one of my usual habits, I was zipping around BurdaStyle checking out the new stuff, when I found THIS. Well, as not my usual style I decided to comment. I rarely ever say anything over there, so no one even knows I’m there half the time! LOL! Anyways, here is my answer:

***Where do you find sewing inspiration?***

EVERYWHERE! My mom was a seamstress, sew I was already sewing at age 6. I was 16 when I graduated from a fashion design college. In the 20+ years since, I have created tons of patterns and sew all my own fashions.

I not only create my own patterns, but I also design my own fabrics as well. I paint up watercolors and than get short runs of the fabric printed up. I get ideas for a lot og my designs from nature: birds, cats, the sky, waterfalls, trees – everything inspires me to paint. Than the fabric made from the paintings inspire the flow of the dress pattern as well.

Erte is my biggest inspiration. Much of my designs are reinterpretations of his designs. I just love his art deco and flapper styles.

Also, Japanese Kimono, esp those from the Momoyama period (1500′s). I love sewing kimono, because the lines are simple and allow for display of big bold fabric prints, which thus allows me to create huge print fabric designs as well.

***What magazines, websites, books do you look at for project ideas?***

Dover Books are my #1 source of inspiration. You see, I’m a life actor, which I means I CosPlay 24/7/365 and have for years. My daily wear consists of recreations of garb from the 1500′s – 1800′s as well as the 1920′s. Dover reprints tons of French, fashion illustrations, vintage paper dolls, Goody Lady, etc. Of course they are the ones who reprint Etre’s fashion prints as well.

National Geographic and Smithsonian Museum books are huge sources of inspiration as well. I get lots of ideas from cultural photos and antique paintings. I enjoy creating ethnic and historic bases patterns.

And than of course there’s my #1 source of inspiration: comic books. Yep, you heard me: comic books! I’m a huge fan of comic books, manga, graphic novels, super heroes, etc, and well, like I said, I’m really big into CosPlay, so of course a lot of what I design was inspired by comic books.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

Obsessed? I’m Not Obsessed… REALLY, I’m not!

When Next You See Me I’ll Look Like This:

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Categories: About me · Anachronism · Anachronist · Business · CosPlay · Gothic · Life · Lifestyle · Maine · Old Orchard Beach · SCA · Wendy C. Allen · comic books · cosplay in public · costume making · costumer · costumes · creativity · cross dressing · crossplay · drag queen · dressmaking · fabric · fashion · fashion design · fun things to do · inspiration · interesting facts · life blogging · medieval · my thoughts on… · painting · pattern making · patterns · sewing · sewing a costume · sewing a kimono · sewing advice · theater

Tagged: About me, Anachronist, Black Bobcat Fashions, BurdaStyle, CosPlay, cosplay in public, dressmaking, EelKat, Erte, inspiration, Japan, kimono, pattern making, Purple Peacock Patterns, sewing, The Rabbit Hole, Wendy C. Allen

Waiting for Emmett to come.

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Progress Update: Mokomoko Started; Pink Kosode, Still Being Embroidered.

Well, I went ahead and built a inner skeleton structure for the Mokomoko just too see what it would look like and to see if it was possible to use inside a costume tail, and has decided go ahead and use it. I also came to the conclusion that an 8 foot Mokomoko is not big enough, and am now making it 12 feet long instead.

Here’s how I did it in case any one else wants to try it:

I took a 12 foot phone/internet cable, and ran it through 8 feet of galvanized electrical conduit cable (which is quite heavy and made of metal, but is very springy and moves like a real tail.). I taped the cable in place to the conduit so that the ends meet at the base, but the cable is 4 feet longer at the end.

My next step was to wrap the entire thing in polyester quilt batting: first a 1/4″ x 8″ x 12′ stripe tied down with DMC crochet cotton. I tied it into a knobby look, by tying at 3″ intervals.

Next I put in on, in order to measure where the shoulder line would be, than marked off a 3 foot section, and wrapped that with a another layer of quilt batting: 1/4″ x 2′ x 3′, stiffing it with teddy bear stuffing, which is a supper soft, very squishy type of polyester stuffing. Again tying at 3″ intervals.

Overlapping that section by 4″ I added another layer of quilt batting, and stuffed it with only half as much stuffing as before. Again tying at 3″ intervals.

From that point down I wrapped again, this time with no stuffing added.

The end result it a 12′ long conical taper shape, with the first 2 1/2′ left wrapped only once, so as to be able to wrap the tail, and some how attach it which I have not yet figured out how to do.

Well, that’s where I am at right now. It took me just under 2 hours from start to finish.

My next step with the Mokomoko is to buy some eyelash fringe fabric, to make a cloth cover for it. That will be the base to which I will hand sew (latch hook-stitch) real fur to, to create a real fur tail. I have yet to decide on the type of fur I’ll use, but at this point I’m leaning towards Beige Alpaca Fleece.

The Mokomoko aside, I still have quite a ways to go on the Court Robes. The cloth was cut out and the pieces pinned together, so that I could hand draw (in pink tailor’s chalk) the giant lotus blossoms, and butterflies (in blue chalk). The butterflies are being done tone on tone, the same color as the silk, so can only be seen up close. I ran out of floss today, so had to go the Micheal’s to buy more.

Right now I am working on the collar of the kosode, which has butterflies along the edge, and the partial piece of one of the pink flowers at the shoulder. Starting at the lower left side and working up to the top and down to the right, I am right now, 3/4 to the top of the left side. Each butterfly is approx. 2″ x 4″ and takes 3 hours to fill in using the satin stitch and the long & short stitch. I have been sewing approximately 1 1/2 butterflies per day (that’s me hand sewing 4 1/2 hours per day!), so I’m guessing that my original estimate that it’ll take me 3 to 4 months to embroider the entire kimono, was pretty darned close! I just started my 7th butterfly today.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Progress Update: Mokomoko Started; Pink Kosode, Still Being Embroidered.

Well, I went ahead and built a inner skeleton structure for the Mokomoko just too see what it would look like and to see if it was possible to use inside a costume tail, and has decided go ahead and use it. I also came to the conclusion that an 8 foot Mokomoko is not big enough, and am now making it 12 feet long instead.

Here’s how I did it in case any one else wants to try it:

I took a 12 foot phone/internet cable, and ran it through 8 feet of galvanized electrical conduit cable (which is quite heavy and made of metal, but is very springy and moves like a real tail.). I taped the cable in place to the conduit so that the ends meet at the base, but the cable is 4 feet longer at the end.

My next step was to wrap the entire thing in polyester quilt batting: first a 1/4″ x 8″ x 12′ stripe tied down with DMC crochet cotton. I tied it into a knobby look, by tying at 3″ intervals.

Next I put in on, in order to measure where the shoulder line would be, than marked off a 3 foot section, and wrapped that with a another layer of quilt batting: 1/4″ x 2′ x 3′, stiffing it with teddy bear stuffing, which is a supper soft, very squishy type of polyester stuffing. Again tying at 3″ intervals.

Overlapping that section by 4″ I added another layer of quilt batting, and stuffed it with only half as much stuffing as before. Again tying at 3″ intervals.

From that point down I wrapped again, this time with no stuffing added.

The end result it a 12′ long conical taper shape, with the first 2 1/2′ left wrapped only once, so as to be able to wrap the tail, and some how attach it which I have not yet figured out how to do.

Well, that’s where I am at right now. It took me just under 2 hours from start to finish.

My next step with the Mokomoko is to buy some eyelash fringe fabric, to make a cloth cover for it. That will be the base to which I will hand sew (latch hook-stitch) real fur to, to create a real fur tail. I have yet to decide on the type of fur I’ll use, but at this point I’m leaning towards Beige Alpaca Fleece.

The Mokomoko aside, I still have quite a ways to go on the Court Robes. The cloth was cut out and the pieces pinned together, so that I could hand draw (in pink tailor’s chalk) the giant lotus blossoms, and butterflies (in blue chalk). The butterflies are being done tone on tone, the same color as the silk, so can only be seen up close. I ran out of floss today, so had to go the Micheal’s to buy more.

Right now I am working on the collar of the kosode, which has butterflies along the edge, and the partial piece of one of the pink flowers at the shoulder. Starting at the lower left side and working up to the top and down to the right, I am right now, 3/4 to the top of the left side. Each butterfly is approx. 2″ x 4″ and takes 3 hours to fill in using the satin stitch and the long & short stitch. I have been sewing approximately 1 1/2 butterflies per day (that’s me hand sewing 4 1/2 hours per day!), so I’m guessing that my original estimate that it’ll take me 3 to 4 months to embroider the entire kimono, was pretty darned close! I just started my 7th butterfly today.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Progress Update: Mokomoko Started; Pink Kosode, Still Being Embroidered.

Well, I went ahead and built a inner skeleton structure for the Mokomoko just too see what it would look like and to see if it was possible to use inside a costume tail, and has decided go ahead and use it. I also came to the conclusion that an 8 foot Mokomoko is not big enough, and am now making it 12 feet long instead.

Here’s how I did it in case any one else wants to try it:

I took a 12 foot phone/internet cable, and ran it through 8 feet of galvanized electrical conduit cable (which is quite heavy and made of metal, but is very springy and moves like a real tail.). I taped the cable in place to the conduit so that the ends meet at the base, but the cable is 4 feet longer at the end.

My next step was to wrap the entire thing in polyester quilt batting: first a 1/4″ x 8″ x 12′ stripe tied down with DMC crochet cotton. I tied it into a knobby look, by tying at 3″ intervals.

Next I put in on, in order to measure where the shoulder line would be, than marked off a 3 foot section, and wrapped that with a another layer of quilt batting: 1/4″ x 2′ x 3′, stiffing it with teddy bear stuffing, which is a supper soft, very squishy type of polyester stuffing. Again tying at 3″ intervals.

Overlapping that section by 4″ I added another layer of quilt batting, and stuffed it with only half as much stuffing as before. Again tying at 3″ intervals.

From that point down I wrapped again, this time with no stuffing added.

The end result it a 12′ long conical taper shape, with the first 2 1/2′ left wrapped only once, so as to be able to wrap the tail, and some how attach it which I have not yet figured out how to do.

Well, that’s where I am at right now. It took me just under 2 hours from start to finish.

My next step with the Mokomoko is to buy some eyelash fringe fabric, to make a cloth cover for it. That will be the base to which I will hand sew (latch hook-stitch) real fur to, to create a real fur tail. I have yet to decide on the type of fur I’ll use, but at this point I’m leaning towards Beige Alpaca Fleece.

The Mokomoko aside, I still have quite a ways to go on the Court Robes. The cloth was cut out and the pieces pinned together, so that I could hand draw (in pink tailor’s chalk) the giant lotus blossoms, and butterflies (in blue chalk). The butterflies are being done tone on tone, the same color as the silk, so can only be seen up close. I ran out of floss today, so had to go the Micheal’s to buy more.

Right now I am working on the collar of the kosode, which has butterflies along the edge, and the partial piece of one of the pink flowers at the shoulder. Starting at the lower left side and working up to the top and down to the right, I am right now, 3/4 to the top of the left side. Each butterfly is approx. 2″ x 4″ and takes 3 hours to fill in using the satin stitch and the long & short stitch. I have been sewing approximately 1 1/2 butterflies per day (that’s me hand sewing 4 1/2 hours per day!), so I’m guessing that my original estimate that it’ll take me 3 to 4 months to embroider the entire kimono, was pretty darned close! I just started my 7th butterfly today.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Alternate Kimono #3 (Movie Only)

Alternate Kimono #3:

Sesshomaru’s Alternate Kimono #3, is of a less formal style than the other three. This is the kimono we see him wearing before he became a Lord, seen only once during a flash back. This kimono is the one he wore when he was still quite young, aged at about 14 or 15 years old in “human years”. Once again, it is of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed a deep-bright reddish-rose pink, more accurately called a shade of magenta.

On the front and back of each sleeve, floating just above the boarder of the dye, is painted three very large and bold lotus flowers (twelve in all). The flower pattern is repeated with yet another large lotus flower on the neck and shoulder of the left side extending down to the sleeve.

Beneath his Kimono Sesshomaru wears a white (or sometimes lavender flower print) Nagajuban.

With this version we see Sesshy wearing his purple armor, and dark blue velvet Heko-obi.

(my art from my fashion design costume portfolio)

If you’ve been reading my blog, you know by now that my silk has arrived from Japan (was lost by our local post office) and after much debate over how to handle said silk, work is now underway on the construction of this pink furisode kimono.

This being Lord Sesshomaru’s Court Outfit, which he wears at home in his palace, I am taking a more dramatic road with this one, and embroidering it in the 16th century Noh Theater style.

The white sections are going to be completely embroidered in an overall pattern of chrysanthemums and butterflies, embroidered all in white.

Because Lord Sesshomaru’s palace is in China and not Japan, and because Sesshomaru is a Prince, I am taken a huge leap of liberty and turning the blocks of rose color on the sleeves and hem, into the traditional “ocean wave” pattern seen on the Dragon Robes worn by Chinese Emperors. These will be done in multiple shades of rose and mauve.

I have found a picture of a real medalion of a lotus flower, which looks an awful lot like the one on Sesshy’s kosode, and have traced the design, and am going to use that for the giant lotus blossoms, changing the colors from the original medalion, to deep magentas and rose for Sesshy’s fuisode.

All in all this is a majorly advanced embroidery project and will take me at least 3 or 4 month to complete before I well be able to begin constructing the kimono. (Historically, the cloth is embroidered, before being cut and sewn, so that is how I am making this one.)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Alternate Kimono #3 (Movie Only)

Alternate Kimono #3:

Sesshomaru’s Alternate Kimono #3, is of a less formal style than the other three. This is the kimono we see him wearing before he became a Lord, seen only once during a flash back. This kimono is the one he wore when he was still quite young, aged at about 14 or 15 years old in “human years”. Once again, it is of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed a deep-bright reddish-rose pink, more accurately called a shade of magenta.

On the front and back of each sleeve, floating just above the boarder of the dye, is painted three very large and bold lotus flowers (twelve in all). The flower pattern is repeated with yet another large lotus flower on the neck and shoulder of the left side extending down to the sleeve.

Beneath his Kimono Sesshomaru wears a white (or sometimes lavender flower print) Nagajuban.

With this version we see Sesshy wearing his purple armor, and dark blue velvet Heko-obi.

(my art from my fashion design costume portfolio)

If you’ve been reading my blog, you know by now that my silk has arrived from Japan (was lost by our local post office) and after much debate over how to handle said silk, work is now underway on the construction of this pink furisode kimono.

This being Lord Sesshomaru’s Court Outfit, which he wears at home in his palace, I am taking a more dramatic road with this one, and embroidering it in the 16th century Noh Theater style.

The white sections are going to be completely embroidered in an overall pattern of chrysanthemums and butterflies, embroidered all in white.

Because Lord Sesshomaru’s palace is in China and not Japan, and because Sesshomaru is a Prince, I am taken a huge leap of liberty and turning the blocks of rose color on the sleeves and hem, into the traditional “ocean wave” pattern seen on the Dragon Robes worn by Chinese Emperors. These will be done in multiple shades of rose and mauve.

I have found a picture of a real medalion of a lotus flower, which looks an awful lot like the one on Sesshy’s kosode, and have traced the design, and am going to use that for the giant lotus blossoms, changing the colors from the original medalion, to deep magentas and rose for Sesshy’s fuisode.

All in all this is a majorly advanced embroidery project and will take me at least 3 or 4 month to complete before I well be able to begin constructing the kimono. (Historically, the cloth is embroidered, before being cut and sewn, so that is how I am making this one.)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Alternate Kimono #3 (Movie Only)

Alternate Kimono #3:

Sesshomaru’s Alternate Kimono #3, is of a less formal style than the other three. This is the kimono we see him wearing before he became a Lord, seen only once during a flash back. This kimono is the one he wore when he was still quite young, aged at about 14 or 15 years old in “human years”. Once again, it is of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed a deep-bright reddish-rose pink, more accurately called a shade of magenta.

On the front and back of each sleeve, floating just above the boarder of the dye, is painted three very large and bold lotus flowers (twelve in all). The flower pattern is repeated with yet another large lotus flower on the neck and shoulder of the left side extending down to the sleeve.

Beneath his Kimono Sesshomaru wears a white (or sometimes lavender flower print) Nagajuban.

With this version we see Sesshy wearing his purple armor, and dark blue velvet Heko-obi.

(my art from my fashion design costume portfolio)

If you’ve been reading my blog, you know by now that my silk has arrived from Japan (was lost by our local post office) and after much debate over how to handle said silk, work is now underway on the construction of this pink furisode kimono.

This being Lord Sesshomaru’s Court Outfit, which he wears at home in his palace, I am taking a more dramatic road with this one, and embroidering it in the 16th century Noh Theater style.

The white sections are going to be completely embroidered in an overall pattern of chrysanthemums and butterflies, embroidered all in white.

Because Lord Sesshomaru’s palace is in China and not Japan, and because Sesshomaru is a Prince, I am taken a huge leap of liberty and turning the blocks of rose color on the sleeves and hem, into the traditional “ocean wave” pattern seen on the Dragon Robes worn by Chinese Emperors. These will be done in multiple shades of rose and mauve.

I have found a picture of a real medalion of a lotus flower, which looks an awful lot like the one on Sesshy’s kosode, and have traced the design, and am going to use that for the giant lotus blossoms, changing the colors from the original medalion, to deep magentas and rose for Sesshy’s fuisode.

All in all this is a majorly advanced embroidery project and will take me at least 3 or 4 month to complete before I well be able to begin constructing the kimono. (Historically, the cloth is embroidered, before being cut and sewn, so that is how I am making this one.)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Alternate Kimono #3 (Movie Only)

Alternate Kimono #3:

Sesshomaru’s Alternate Kimono #3, is of a less formal style than the other three. This is the kimono we see him wearing before he became a Lord, seen only once during a flash back. This kimono is the one he wore when he was still quite young, aged at about 14 or 15 years old in “human years”. Once again, it is of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed a deep-bright reddish-rose pink, more accurately called a shade of magenta.

On the front and back of each sleeve, floating just above the boarder of the dye, is painted three very large and bold lotus flowers (twelve in all). The flower pattern is repeated with yet another large lotus flower on the neck and shoulder of the left side extending down to the sleeve.

Beneath his Kimono Sesshomaru wears a white (or sometimes lavender flower print) Nagajuban.

With this version we see Sesshy wearing his purple armor, and dark blue velvet Heko-obi.

(my art from my fashion design costume portfolio)

If you’ve been reading my blog, you know by now that my silk has arrived from Japan (was lost by our local post office) and after much debate over how to handle said silk, work is now underway on the construction of this pink furisode kimono.

This being Lord Sesshomaru’s Court Outfit, which he wears at home in his palace, I am taking a more dramatic road with this one, and embroidering it in the 16th century Noh Theater style.

The white sections are going to be completely embroidered in an overall pattern of chrysanthemums and butterflies, embroidered all in white.

Because Lord Sesshomaru’s palace is in China and not Japan, and because Sesshomaru is a Prince, I am taken a huge leap of liberty and turning the blocks of rose color on the sleeves and hem, into the traditional “ocean wave” pattern seen on the Dragon Robes worn by Chinese Emperors. These will be done in multiple shades of rose and mauve.

I have found a picture of a real medalion of a lotus flower, which looks an awful lot like the one on Sesshy’s kosode, and have traced the design, and am going to use that for the giant lotus blossoms, changing the colors from the original medalion, to deep magentas and rose for Sesshy’s fuisode.

All in all this is a majorly advanced embroidery project and will take me at least 3 or 4 month to complete before I well be able to begin constructing the kimono. (Historically, the cloth is embroidered, before being cut and sewn, so that is how I am making this one.)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Alternate Kimono #3 (Movie Only)

Alternate Kimono #3:

Sesshomaru’s Alternate Kimono #3, is of a less formal style than the other three. This is the kimono we see him wearing before he became a Lord, seen only once during a flash back. This kimono is the one he wore when he was still quite young, aged at about 14 or 15 years old in “human years”. Once again, it is of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed a deep-bright reddish-rose pink, more accurately called a shade of magenta.

On the front and back of each sleeve, floating just above the boarder of the dye, is painted three very large and bold lotus flowers (twelve in all). The flower pattern is repeated with yet another large lotus flower on the neck and shoulder of the left side extending down to the sleeve.

Beneath his Kimono Sesshomaru wears a white (or sometimes lavender flower print) Nagajuban.

With this version we see Sesshy wearing his purple armor, and dark blue velvet Heko-obi.

(my art from my fashion design costume portfolio)

If you’ve been reading my blog, you know by now that my silk has arrived from Japan (was lost by our local post office) and after much debate over how to handle said silk, work is now underway on the construction of this pink furisode kimono.

This being Lord Sesshomaru’s Court Outfit, which he wears at home in his palace, I am taking a more dramatic road with this one, and embroidering it in the 16th century Noh Theater style.

The white sections are going to be completely embroidered in an overall pattern of chrysanthemums and butterflies, embroidered all in white.

Because Lord Sesshomaru’s palace is in China and not Japan, and because Sesshomaru is a Prince, I am taken a huge leap of liberty and turning the blocks of rose color on the sleeves and hem, into the traditional “ocean wave” pattern seen on the Dragon Robes worn by Chinese Emperors. These will be done in multiple shades of rose and mauve.

I have found a picture of a real medalion of a lotus flower, which looks an awful lot like the one on Sesshy’s kosode, and have traced the design, and am going to use that for the giant lotus blossoms, changing the colors from the original medalion, to deep magentas and rose for Sesshy’s fuisode.

All in all this is a majorly advanced embroidery project and will take me at least 3 or 4 month to complete before I well be able to begin constructing the kimono. (Historically, the cloth is embroidered, before being cut and sewn, so that is how I am making this one.)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Alternate Kimono #3 (Movie Only)

Alternate Kimono #3:

Sesshomaru’s Alternate Kimono #3, is of a less formal style than the other three. This is the kimono we see him wearing before he became a Lord, seen only once during a flash back. This kimono is the one he wore when he was still quite young, aged at about 14 or 15 years old in “human years”. Once again, it is of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed a deep-bright reddish-rose pink, more accurately called a shade of magenta.

On the front and back of each sleeve, floating just above the boarder of the dye, is painted three very large and bold lotus flowers (twelve in all). The flower pattern is repeated with yet another large lotus flower on the neck and shoulder of the left side extending down to the sleeve.

Beneath his Kimono Sesshomaru wears a white (or sometimes lavender flower print) Nagajuban.

With this version we see Sesshy wearing his purple armor, and dark blue velvet Heko-obi.

(my art from my fashion design costume portfolio)

If you’ve been reading my blog, you know by now that my silk has arrived from Japan (was lost by our local post office) and after much debate over how to handle said silk, work is now underway on the construction of this pink furisode kimono.

This being Lord Sesshomaru’s Court Outfit, which he wears at home in his palace, I am taking a more dramatic road with this one, and embroidering it in the 16th century Noh Theater style.

The white sections are going to be completely embroidered in an overall pattern of chrysanthemums and butterflies, embroidered all in white.

Because Lord Sesshomaru’s palace is in China and not Japan, and because Sesshomaru is a Prince, I am taken a huge leap of liberty and turning the blocks of rose color on the sleeves and hem, into the traditional “ocean wave” pattern seen on the Dragon Robes worn by Chinese Emperors. These will be done in multiple shades of rose and mauve.

I have found a picture of a real medalion of a lotus flower, which looks an awful lot like the one on Sesshy’s kosode, and have traced the design, and am going to use that for the giant lotus blossoms, changing the colors from the original medalion, to deep magentas and rose for Sesshy’s fuisode.

All in all this is a majorly advanced embroidery project and will take me at least 3 or 4 month to complete before I well be able to begin constructing the kimono. (Historically, the cloth is embroidered, before being cut and sewn, so that is how I am making this one.)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Alternate Kimono #3 (Movie Only)

Alternate Kimono #3:

Sesshomaru’s Alternate Kimono #3, is of a less formal style than the other three. This is the kimono we see him wearing before he became a Lord, seen only once during a flash back. This kimono is the one he wore when he was still quite young, aged at about 14 or 15 years old in “human years”. Once again, it is of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed a deep-bright reddish-rose pink, more accurately called a shade of magenta.

On the front and back of each sleeve, floating just above the boarder of the dye, is painted three very large and bold lotus flowers (twelve in all). The flower pattern is repeated with yet another large lotus flower on the neck and shoulder of the left side extending down to the sleeve.

Beneath his Kimono Sesshomaru wears a white (or sometimes lavender flower print) Nagajuban.

With this version we see Sesshy wearing his purple armor, and dark blue velvet Heko-obi.

(my art from my fashion design costume portfolio)

If you’ve been reading my blog, you know by now that my silk has arrived from Japan (was lost by our local post office) and after much debate over how to handle said silk, work is now underway on the construction of this pink furisode kimono.

This being Lord Sesshomaru’s Court Outfit, which he wears at home in his palace, I am taking a more dramatic road with this one, and embroidering it in the 16th century Noh Theater style.

The white sections are going to be completely embroidered in an overall pattern of chrysanthemums and butterflies, embroidered all in white.

Because Lord Sesshomaru’s palace is in China and not Japan, and because Sesshomaru is a Prince, I am taken a huge leap of liberty and turning the blocks of rose color on the sleeves and hem, into the traditional “ocean wave” pattern seen on the Dragon Robes worn by Chinese Emperors. These will be done in multiple shades of rose and mauve.

I have found a picture of a real medalion of a lotus flower, which looks an awful lot like the one on Sesshy’s kosode, and have traced the design, and am going to use that for the giant lotus blossoms, changing the colors from the original medalion, to deep magentas and rose for Sesshy’s fuisode.

All in all this is a majorly advanced embroidery project and will take me at least 3 or 4 month to complete before I well be able to begin constructing the kimono. (Historically, the cloth is embroidered, before being cut and sewn, so that is how I am making this one.)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Alternate Kimono #3 (Movie Only)

Alternate Kimono #3:

Sesshomaru’s Alternate Kimono #3, is of a less formal style than the other three. This is the kimono we see him wearing before he became a Lord, seen only once during a flash back. This kimono is the one he wore when he was still quite young, aged at about 14 or 15 years old in “human years”. Once again, it is of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed a deep-bright reddish-rose pink, more accurately called a shade of magenta.

On the front and back of each sleeve, floating just above the boarder of the dye, is painted three very large and bold lotus flowers (twelve in all). The flower pattern is repeated with yet another large lotus flower on the neck and shoulder of the left side extending down to the sleeve.

Beneath his Kimono Sesshomaru wears a white (or sometimes lavender flower print) Nagajuban.

With this version we see Sesshy wearing his purple armor, and dark blue velvet Heko-obi.

(my art from my fashion design costume portfolio)

If you’ve been reading my blog, you know by now that my silk has arrived from Japan (was lost by our local post office) and after much debate over how to handle said silk, work is now underway on the construction of this pink furisode kimono.

This being Lord Sesshomaru’s Court Outfit, which he wears at home in his palace, I am taking a more dramatic road with this one, and embroidering it in the 16th century Noh Theater style.

The white sections are going to be completely embroidered in an overall pattern of chrysanthemums and butterflies, embroidered all in white.

Because Lord Sesshomaru’s palace is in China and not Japan, and because Sesshomaru is a Prince, I am taken a huge leap of liberty and turning the blocks of rose color on the sleeves and hem, into the traditional “ocean wave” pattern seen on the Dragon Robes worn by Chinese Emperors. These will be done in multiple shades of rose and mauve.

I have found a picture of a real medalion of a lotus flower, which looks an awful lot like the one on Sesshy’s kosode, and have traced the design, and am going to use that for the giant lotus blossoms, changing the colors from the original medalion, to deep magentas and rose for Sesshy’s fuisode.

All in all this is a majorly advanced embroidery project and will take me at least 3 or 4 month to complete before I well be able to begin constructing the kimono. (Historically, the cloth is embroidered, before being cut and sewn, so that is how I am making this one.)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Alternate Kimono #3 (Movie Only)

Alternate Kimono #3:

Sesshomaru’s Alternate Kimono #3, is of a less formal style than the other three. This is the kimono we see him wearing before he became a Lord, seen only once during a flash back. This kimono is the one he wore when he was still quite young, aged at about 14 or 15 years old in “human years”. Once again, it is of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed a deep-bright reddish-rose pink, more accurately called a shade of magenta.

On the front and back of each sleeve, floating just above the boarder of the dye, is painted three very large and bold lotus flowers (twelve in all). The flower pattern is repeated with yet another large lotus flower on the neck and shoulder of the left side extending down to the sleeve.

Beneath his Kimono Sesshomaru wears a white (or sometimes lavender flower print) Nagajuban.

With this version we see Sesshy wearing his purple armor, and dark blue velvet Heko-obi.

(my art from my fashion design costume portfolio)

If you’ve been reading my blog, you know by now that my silk has arrived from Japan (was lost by our local post office) and after much debate over how to handle said silk, work is now underway on the construction of this pink furisode kimono.

This being Lord Sesshomaru’s Court Outfit, which he wears at home in his palace, I am taking a more dramatic road with this one, and embroidering it in the 16th century Noh Theater style.

The white sections are going to be completely embroidered in an overall pattern of chrysanthemums and butterflies, embroidered all in white.

Because Lord Sesshomaru’s palace is in China and not Japan, and because Sesshomaru is a Prince, I am taken a huge leap of liberty and turning the blocks of rose color on the sleeves and hem, into the traditional “ocean wave” pattern seen on the Dragon Robes worn by Chinese Emperors. These will be done in multiple shades of rose and mauve.

I have found a picture of a real medalion of a lotus flower, which looks an awful lot like the one on Sesshy’s kosode, and have traced the design, and am going to use that for the giant lotus blossoms, changing the colors from the original medalion, to deep magentas and rose for Sesshy’s fuisode.

All in all this is a majorly advanced embroidery project and will take me at least 3 or 4 month to complete before I well be able to begin constructing the kimono. (Historically, the cloth is embroidered, before being cut and sewn, so that is how I am making this one.)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Alternate Kimono #3 (Movie Only)

Alternate Kimono #3:

Sesshomaru’s Alternate Kimono #3, is of a less formal style than the other three. This is the kimono we see him wearing before he became a Lord, seen only once during a flash back. This kimono is the one he wore when he was still quite young, aged at about 14 or 15 years old in “human years”. Once again, it is of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed a deep-bright reddish-rose pink, more accurately called a shade of magenta.

On the front and back of each sleeve, floating just above the boarder of the dye, is painted three very large and bold lotus flowers (twelve in all). The flower pattern is repeated with yet another large lotus flower on the neck and shoulder of the left side extending down to the sleeve.

Beneath his Kimono Sesshomaru wears a white (or sometimes lavender flower print) Nagajuban.

With this version we see Sesshy wearing his purple armor, and dark blue velvet Heko-obi.

(my art from my fashion design costume portfolio)

If you’ve been reading my blog, you know by now that my silk has arrived from Japan (was lost by our local post office) and after much debate over how to handle said silk, work is now underway on the construction of this pink furisode kimono.

This being Lord Sesshomaru’s Court Outfit, which he wears at home in his palace, I am taking a more dramatic road with this one, and embroidering it in the 16th century Noh Theater style.

The white sections are going to be completely embroidered in an overall pattern of chrysanthemums and butterflies, embroidered all in white.

Because Lord Sesshomaru’s palace is in China and not Japan, and because Sesshomaru is a Prince, I am taken a huge leap of liberty and turning the blocks of rose color on the sleeves and hem, into the traditional “ocean wave” pattern seen on the Dragon Robes worn by Chinese Emperors. These will be done in multiple shades of rose and mauve.

I have found a picture of a real medalion of a lotus flower, which looks an awful lot like the one on Sesshy’s kosode, and have traced the design, and am going to use that for the giant lotus blossoms, changing the colors from the original medalion, to deep magentas and rose for Sesshy’s fuisode.

All in all this is a majorly advanced embroidery project and will take me at least 3 or 4 month to complete before I well be able to begin constructing the kimono. (Historically, the cloth is embroidered, before being cut and sewn, so that is how I am making this one.)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Alternate Kimono #3 (Movie Only)

Alternate Kimono #3:

Sesshomaru’s Alternate Kimono #3, is of a less formal style than the other three. This is the kimono we see him wearing before he became a Lord, seen only once during a flash back. This kimono is the one he wore when he was still quite young, aged at about 14 or 15 years old in “human years”. Once again, it is of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed a deep-bright reddish-rose pink, more accurately called a shade of magenta.

On the front and back of each sleeve, floating just above the boarder of the dye, is painted three very large and bold lotus flowers (twelve in all). The flower pattern is repeated with yet another large lotus flower on the neck and shoulder of the left side extending down to the sleeve.

Beneath his Kimono Sesshomaru wears a white (or sometimes lavender flower print) Nagajuban.

With this version we see Sesshy wearing his purple armor, and dark blue velvet Heko-obi.

(my art from my fashion design costume portfolio)

If you’ve been reading my blog, you know by now that my silk has arrived from Japan (was lost by our local post office) and after much debate over how to handle said silk, work is now underway on the construction of this pink furisode kimono.

This being Lord Sesshomaru’s Court Outfit, which he wears at home in his palace, I am taking a more dramatic road with this one, and embroidering it in the 16th century Noh Theater style.

The white sections are going to be completely embroidered in an overall pattern of chrysanthemums and butterflies, embroidered all in white.

Because Lord Sesshomaru’s palace is in China and not Japan, and because Sesshomaru is a Prince, I am taken a huge leap of liberty and turning the blocks of rose color on the sleeves and hem, into the traditional “ocean wave” pattern seen on the Dragon Robes worn by Chinese Emperors. These will be done in multiple shades of rose and mauve.

I have found a picture of a real medalion of a lotus flower, which looks an awful lot like the one on Sesshy’s kosode, and have traced the design, and am going to use that for the giant lotus blossoms, changing the colors from the original medalion, to deep magentas and rose for Sesshy’s fuisode.

All in all this is a majorly advanced embroidery project and will take me at least 3 or 4 month to complete before I well be able to begin constructing the kimono. (Historically, the cloth is embroidered, before being cut and sewn, so that is how I am making this one.)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Alternate Kimono #3 (Movie Only)

Alternate Kimono #3:

Sesshomaru’s Alternate Kimono #3, is of a less formal style than the other three. This is the kimono we see him wearing before he became a Lord, seen only once during a flash back. This kimono is the one he wore when he was still quite young, aged at about 14 or 15 years old in “human years”. Once again, it is of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed a deep-bright reddish-rose pink, more accurately called a shade of magenta.

On the front and back of each sleeve, floating just above the boarder of the dye, is painted three very large and bold lotus flowers (twelve in all). The flower pattern is repeated with yet another large lotus flower on the neck and shoulder of the left side extending down to the sleeve.

Beneath his Kimono Sesshomaru wears a white (or sometimes lavender flower print) Nagajuban.

With this version we see Sesshy wearing his purple armor, and dark blue velvet Heko-obi.

(my art from my fashion design costume portfolio)

If you’ve been reading my blog, you know by now that my silk has arrived from Japan (was lost by our local post office) and after much debate over how to handle said silk, work is now underway on the construction of this pink furisode kimono.

This being Lord Sesshomaru’s Court Outfit, which he wears at home in his palace, I am taking a more dramatic road with this one, and embroidering it in the 16th century Noh Theater style.

The white sections are going to be completely embroidered in an overall pattern of chrysanthemums and butterflies, embroidered all in white.

Because Lord Sesshomaru’s palace is in China and not Japan, and because Sesshomaru is a Prince, I am taken a huge leap of liberty and turning the blocks of rose color on the sleeves and hem, into the traditional “ocean wave” pattern seen on the Dragon Robes worn by Chinese Emperors. These will be done in multiple shades of rose and mauve.

I have found a picture of a real medalion of a lotus flower, which looks an awful lot like the one on Sesshy’s kosode, and have traced the design, and am going to use that for the giant lotus blossoms, changing the colors from the original medalion, to deep magentas and rose for Sesshy’s fuisode.

All in all this is a majorly advanced embroidery project and will take me at least 3 or 4 month to complete before I well be able to begin constructing the kimono. (Historically, the cloth is embroidered, before being cut and sewn, so that is how I am making this one.)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Is Buying a Costume Instead of Sewing It Considered Cheating?

[QUOTE=Meiria;2446201]I’m just getting into the cosplay scene and was wondering how some veteran cosplayers feel about it.

I’m not talking about those $50 nylon naruto Costumes that you can find on eBay (obviously, they are in bad taste!) – but is buying an expensive ($150-$500) premade costume “tacky”?

I have intermediate sewing skills, and have worked with simple pattern modifications before. But making a custom kimono, for example, with several layers and embroidery, would be beyond me. I know how to sew, and want to learn more, but with the constraints on my time, and my advanced beginner level abilities, is making a fancy costume from scratch through pattern modification a stretch?

Is someone only a “good” cosplayer if they made it themselves or commissioned it?[/QUOTE]

Ahh… making AND embroidering a custom kimono…. now you are talking my language! I’m an embroiderer, and for me, making my costumes is not so that I can say I made the costume so much as it is so I can say:[I] “OMG! I can’t believe I actually embroidered every inch of this thing myself!”[/I]. I am currently in the process of hand embroidering antique silk to make Lord Sesshomaru’s Pink flower furisode kimono (from the movie), and I’m doing it in 16th century Noh Theater style covering every inch of the cloth with embroidery… it’s going to take me at least 4 months to embroider, and could take 8 or 9 months.

If you are going for a historically accurate embroidered and layered kimono… OMG! Those things can take up to 4 years to make! Some of the detail work that goes into them are amazing, but hand embroidery is just the slowest thing you could ever try to do. Embroidered kimonos are usually done by 5 or 6 people all sitting around it and embroidering sections of it, and even than it takes 4 or 5 months to finish. If you are talking 16th century embroidery in the Noh style, you are talking a majorly advanced project that you’ll really have a hard time finding a seamstress willing to do. Those things are a real pain to make… I know, because, I’m doing one right now.

Weird thing about this is, I’m not doing it to enter any Cons or contests, and I’ll probably never go to a Con (haven’t been to one yet, but that never stopped me from CosPlaying). I will however wear this as part of my street cloths, as I do with all of my CosPlay stuff.

I do this because I just love to sew and embroider things. For me, personally, CosPlay is all about the actual construction of the costume… the designing, the planning, the hours spent in fabric stores looking for just the right fabric, than the months spent sewing.

However, as I said, that me. Everyone is different. And you know what? You do not have to make it yourself to CosPlay!

In fact the best most detailed costume I ever wore, was one of the ones I did not make myself. It was way to advanced, and I knew my sewing skills would not cut it, so I had a seamstress make it up instead and she did an amazing job on it. It was Miss Piggy from the Muppet Show, and it had a full head mask, that looked EXACTLY like the Miss Piggy puppet on the show, the whole thing was made out of sculpted felt and was utterly amazing. I could have done the dress, but I just let her do the whole thing. It was the mask that really stumped me, because I just can’t sculpt fabric and make it look like anything.

A agree with this statement here:

[QUOTE=Danzikumaru;1807749]*

It isn’t cheating to buy a costume. It IS cheating to enter a costume contest with a bought costume and claim you made it.

*[/QUOTE]

For me personally, I’d feel like I was cheating if I wore a bought costume, because I’m so damn good at sewing that I’d run myself through a guilt trip over it (unless it was so advanced that I couldn’t make it myself). But that would be me judging me, not me judging someone else. I started sewing at age 6, because my mom was a seamstress. I grew up sewing costumes, it’s just second nature to me, so for me to buy a costume would just [I]feel [/I]wrong.

On the other hand though, I would never accuse any one of cheating for buying a costume. I know first hand just how much time and money and long hard work goes into sewing a costume, and I also know it’s not something every can or wants to do. It takes a lot of work to make a costume, and even people who have the skill, may not have the time, what with school-jobs-family, for a lot of folks, sewing a costume, just really is not an option, even if they did want to sew it themselves.

To me, I feel it’s really snobby, for anyone to tell you that yo are cheating it you didn’t sew it yourself.

CosPlay = Costume Play, nothing more and nothing less. CosPlay does not mean Sewed Costume Myself Play, it doesn’t dictate that you MUST sew the costume yourself. All it dictates is that you wear a costume, not how you came by said costume.

So, my feelings are that you are only cheating if you bought the costume and than said you sewed it.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Is Buying a Costume Instead of Sewing It Considered Cheating?

[QUOTE=Meiria;2446201]I’m just getting into the cosplay scene and was wondering how some veteran cosplayers feel about it.

I’m not talking about those $50 nylon naruto Costumes that you can find on eBay (obviously, they are in bad taste!) – but is buying an expensive ($150-$500) premade costume “tacky”?

I have intermediate sewing skills, and have worked with simple pattern modifications before. But making a custom kimono, for example, with several layers and embroidery, would be beyond me. I know how to sew, and want to learn more, but with the constraints on my time, and my advanced beginner level abilities, is making a fancy costume from scratch through pattern modification a stretch?

Is someone only a “good” cosplayer if they made it themselves or commissioned it?[/QUOTE]

Ahh… making AND embroidering a custom kimono…. now you are talking my language! I’m an embroiderer, and for me, making my costumes is not so that I can say I made the costume so much as it is so I can say:[I] “OMG! I can’t believe I actually embroidered every inch of this thing myself!”[/I]. I am currently in the process of hand embroidering antique silk to make Lord Sesshomaru’s Pink flower furisode kimono (from the movie), and I’m doing it in 16th century Noh Theater style covering every inch of the cloth with embroidery… it’s going to take me at least 4 months to embroider, and could take 8 or 9 months.

If you are going for a historically accurate embroidered and layered kimono… OMG! Those things can take up to 4 years to make! Some of the detail work that goes into them are amazing, but hand embroidery is just the slowest thing you could ever try to do. Embroidered kimonos are usually done by 5 or 6 people all sitting around it and embroidering sections of it, and even than it takes 4 or 5 months to finish. If you are talking 16th century embroidery in the Noh style, you are talking a majorly advanced project that you’ll really have a hard time finding a seamstress willing to do. Those things are a real pain to make… I know, because, I’m doing one right now.

Weird thing about this is, I’m not doing it to enter any Cons or contests, and I’ll probably never go to a Con (haven’t been to one yet, but that never stopped me from CosPlaying). I will however wear this as part of my street cloths, as I do with all of my CosPlay stuff.

I do this because I just love to sew and embroider things. For me, personally, CosPlay is all about the actual construction of the costume… the designing, the planning, the hours spent in fabric stores looking for just the right fabric, than the months spent sewing.

However, as I said, that me. Everyone is different. And you know what? You do not have to make it yourself to CosPlay!

In fact the best most detailed costume I ever wore, was one of the ones I did not make myself. It was way to advanced, and I knew my sewing skills would not cut it, so I had a seamstress make it up instead and she did an amazing job on it. It was Miss Piggy from the Muppet Show, and it had a full head mask, that looked EXACTLY like the Miss Piggy puppet on the show, the whole thing was made out of sculpted felt and was utterly amazing. I could have done the dress, but I just let her do the whole thing. It was the mask that really stumped me, because I just can’t sculpt fabric and make it look like anything.

A agree with this statement here:

[QUOTE=Danzikumaru;1807749]*

It isn’t cheating to buy a costume. It IS cheating to enter a costume contest with a bought costume and claim you made it.

*[/QUOTE]

For me personally, I’d feel like I was cheating if I wore a bought costume, because I’m so damn good at sewing that I’d run myself through a guilt trip over it (unless it was so advanced that I couldn’t make it myself). But that would be me judging me, not me judging someone else. I started sewing at age 6, because my mom was a seamstress. I grew up sewing costumes, it’s just second nature to me, so for me to buy a costume would just [I]feel [/I]wrong.

On the other hand though, I would never accuse any one of cheating for buying a costume. I know first hand just how much time and money and long hard work goes into sewing a costume, and I also know it’s not something every can or wants to do. It takes a lot of work to make a costume, and even people who have the skill, may not have the time, what with school-jobs-family, for a lot of folks, sewing a costume, just really is not an option, even if they did want to sew it themselves.

To me, I feel it’s really snobby, for anyone to tell you that yo are cheating it you didn’t sew it yourself.

CosPlay = Costume Play, nothing more and nothing less. CosPlay does not mean Sewed Costume Myself Play, it doesn’t dictate that you MUST sew the costume yourself. All it dictates is that you wear a costume, not how you came by said costume.

So, my feelings are that you are only cheating if you bought the costume and than said you sewed it.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Is Buying a Costume Instead of Sewing It Considered Cheating?

[QUOTE=Meiria;2446201]I’m just getting into the cosplay scene and was wondering how some veteran cosplayers feel about it.

I’m not talking about those $50 nylon naruto Costumes that you can find on eBay (obviously, they are in bad taste!) – but is buying an expensive ($150-$500) premade costume “tacky”?

I have intermediate sewing skills, and have worked with simple pattern modifications before. But making a custom kimono, for example, with several layers and embroidery, would be beyond me. I know how to sew, and want to learn more, but with the constraints on my time, and my advanced beginner level abilities, is making a fancy costume from scratch through pattern modification a stretch?

Is someone only a “good” cosplayer if they made it themselves or commissioned it?[/QUOTE]

Ahh… making AND embroidering a custom kimono…. now you are talking my language! I’m an embroiderer, and for me, making my costumes is not so that I can say I made the costume so much as it is so I can say:[I] “OMG! I can’t believe I actually embroidered every inch of this thing myself!”[/I]. I am currently in the process of hand embroidering antique silk to make Lord Sesshomaru’s Pink flower furisode kimono (from the movie), and I’m doing it in 16th century Noh Theater style covering every inch of the cloth with embroidery… it’s going to take me at least 4 months to embroider, and could take 8 or 9 months.

If you are going for a historically accurate embroidered and layered kimono… OMG! Those things can take up to 4 years to make! Some of the detail work that goes into them are amazing, but hand embroidery is just the slowest thing you could ever try to do. Embroidered kimonos are usually done by 5 or 6 people all sitting around it and embroidering sections of it, and even than it takes 4 or 5 months to finish. If you are talking 16th century embroidery in the Noh style, you are talking a majorly advanced project that you’ll really have a hard time finding a seamstress willing to do. Those things are a real pain to make… I know, because, I’m doing one right now.

Weird thing about this is, I’m not doing it to enter any Cons or contests, and I’ll probably never go to a Con (haven’t been to one yet, but that never stopped me from CosPlaying). I will however wear this as part of my street cloths, as I do with all of my CosPlay stuff.

I do this because I just love to sew and embroider things. For me, personally, CosPlay is all about the actual construction of the costume… the designing, the planning, the hours spent in fabric stores looking for just the right fabric, than the months spent sewing.

However, as I said, that me. Everyone is different. And you know what? You do not have to make it yourself to CosPlay!

In fact the best most detailed costume I ever wore, was one of the ones I did not make myself. It was way to advanced, and I knew my sewing skills would not cut it, so I had a seamstress make it up instead and she did an amazing job on it. It was Miss Piggy from the Muppet Show, and it had a full head mask, that looked EXACTLY like the Miss Piggy puppet on the show, the whole thing was made out of sculpted felt and was utterly amazing. I could have done the dress, but I just let her do the whole thing. It was the mask that really stumped me, because I just can’t sculpt fabric and make it look like anything.

A agree with this statement here:

[QUOTE=Danzikumaru;1807749]*

It isn’t cheating to buy a costume. It IS cheating to enter a costume contest with a bought costume and claim you made it.

*[/QUOTE]

For me personally, I’d feel like I was cheating if I wore a bought costume, because I’m so damn good at sewing that I’d run myself through a guilt trip over it (unless it was so advanced that I couldn’t make it myself). But that would be me judging me, not me judging someone else. I started sewing at age 6, because my mom was a seamstress. I grew up sewing costumes, it’s just second nature to me, so for me to buy a costume would just [I]feel [/I]wrong.

On the other hand though, I would never accuse any one of cheating for buying a costume. I know first hand just how much time and money and long hard work goes into sewing a costume, and I also know it’s not something every can or wants to do. It takes a lot of work to make a costume, and even people who have the skill, may not have the time, what with school-jobs-family, for a lot of folks, sewing a costume, just really is not an option, even if they did want to sew it themselves.

To me, I feel it’s really snobby, for anyone to tell you that yo are cheating it you didn’t sew it yourself.

CosPlay = Costume Play, nothing more and nothing less. CosPlay does not mean Sewed Costume Myself Play, it doesn’t dictate that you MUST sew the costume yourself. All it dictates is that you wear a costume, not how you came by said costume.

So, my feelings are that you are only cheating if you bought the costume and than said you sewed it.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Anime & Manga

Sessho-Maru-Sama’s Kimono

Besides being the world’s most powerful demon, Lord Sesshomaru is both a warrior and nobleman, a wealthy and powerful Feudal overlord,The Ruler of The Western Lands (believed to be somewhere in China or Mongolia) and a much feared (a murderously violent) aristocrat and as such wears a style of ceremonial Kimono which is only worn by the elite few of his social standing. This can be seen by the fact that he wears white, a color reserved only for royalty, brides, and the dead, and by the fact that there are so many imperial crests embroidered onto his Kimono.

Sesshomaru’s Kimono is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed red, and the left shoulder is also dyed red.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each red hexagon, surrounded by a white boarder.

There is some debate among fans as to the lower edge of the kimono and what it should look like, since the hem of Sesshomaru’s kimono is never seen in either the books or the show. There is also question as to just how long the kimono he wears is; again, he wears a hakama over his kimono, so we never see the hem edge of it.

In the areas of Lord Sesshomaru’s costume where we do not have a visual reference to go by, we must instead look to the history books and find out what a real warring lord of Endo Japan would have done, and in doing that, this is what my research told me:

When worn by common folk, soldiers, and laborers, the length of a kimono worn under a hakama would have been knee length. However, the kimonos worn by noblemen, lords, and aristocrats would have been long full length kimonos.

The length of Lord Sesshomaru’s kimono should be long: very, very, very long. My study of Japanese fashion history tells me that a war lord of Sesshomaru’s status, would have worn a kimono of overblown proportions, not only are the sleeves abnormally long, but so to would have been the length of the kimono, which in some cases would have a train several feet long in the back! All of this extra fabric however would not be seen, because it would be girdled with a braided cord, and stuffed into the legs of the overlaying hakama, thus helping to give the hakama it’s huge ballooning pant-legs-effect.

Additionally, my research tells me that the hem edge of the kimono would be patterned and decorated to match the pattern of decoration on the sleeves and left shoulder. Note that the fact that the pattern is ONLY on the left shoulder, is an indication that this is not only a lord, but a lord of near Shogun status. Lord Sesshomaru is a very high ranking lord.

So my advice? I would say to make his kimono at least 4 inches longer than floor length for the wearer, and dye the lower 8 to 12 inches red to match the sleeves, and add imperial crests staggered at the same intervals as on the sleeves..

Beneath his Kimono Sesshomaru wears a white (or sometimes red flower print) Nagajuban.

This is the ONLY version ever to be drawn by Sesshomaru’s creator Rumiko Takahashi. All other versions of his costume were created by the tv anime artists and manga inkers.

(my art from my fashion design costume portfolio)

On occasion, Sesshomaru is seen wearing a slightly different kimono. This can be considered either a mistake on the pat of the anime artists, or an indication that he has not one, but four different kimonos.

Alternate Kimonos #1 and 2 are essentially the same as his regularly worn kimono, the only difference being the color of the dye and patches.

Alternate Kimono #3 is completely different and is much less formal as is has no crests on it at all.

If you want to make one of the alternate kimonos, they are described as follows:

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Anime & Manga

Sessho-Maru-Sama’s Kimono

Besides being the world’s most powerful demon, Lord Sesshomaru is both a warrior and nobleman, a wealthy and powerful Feudal overlord,The Ruler of The Western Lands (believed to be somewhere in China or Mongolia) and a much feared (a murderously violent) aristocrat and as such wears a style of ceremonial Kimono which is only worn by the elite few of his social standing. This can be seen by the fact that he wears white, a color reserved only for royalty, brides, and the dead, and by the fact that there are so many imperial crests embroidered onto his Kimono.

Sesshomaru’s Kimono is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed red, and the left shoulder is also dyed red.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each red hexagon, surrounded by a white boarder.

There is some debate among fans as to the lower edge of the kimono and what it should look like, since the hem of Sesshomaru’s kimono is never seen in either the books or the show. There is also question as to just how long the kimono he wears is; again, he wears a hakama over his kimono, so we never see the hem edge of it.

In the areas of Lord Sesshomaru’s costume where we do not have a visual reference to go by, we must instead look to the history books and find out what a real warring lord of Endo Japan would have done, and in doing that, this is what my research told me:

When worn by common folk, soldiers, and laborers, the length of a kimono worn under a hakama would have been knee length. However, the kimonos worn by noblemen, lords, and aristocrats would have been long full length kimonos.

The length of Lord Sesshomaru’s kimono should be long: very, very, very long. My study of Japanese fashion history tells me that a war lord of Sesshomaru’s status, would have worn a kimono of overblown proportions, not only are the sleeves abnormally long, but so to would have been the length of the kimono, which in some cases would have a train several feet long in the back! All of this extra fabric however would not be seen, because it would be girdled with a braided cord, and stuffed into the legs of the overlaying hakama, thus helping to give the hakama it’s huge ballooning pant-legs-effect.

Additionally, my research tells me that the hem edge of the kimono would be patterned and decorated to match the pattern of decoration on the sleeves and left shoulder. Note that the fact that the pattern is ONLY on the left shoulder, is an indication that this is not only a lord, but a lord of near Shogun status. Lord Sesshomaru is a very high ranking lord.

So my advice? I would say to make his kimono at least 4 inches longer than floor length for the wearer, and dye the lower 8 to 12 inches red to match the sleeves, and add imperial crests staggered at the same intervals as on the sleeves..

Beneath his Kimono Sesshomaru wears a white (or sometimes red flower print) Nagajuban.

This is the ONLY version ever to be drawn by Sesshomaru’s creator Rumiko Takahashi. All other versions of his costume were created by the tv anime artists and manga inkers.

(my art from my fashion design costume portfolio)

On occasion, Sesshomaru is seen wearing a slightly different kimono. This can be considered either a mistake on the pat of the anime artists, or an indication that he has not one, but four different kimonos.

Alternate Kimonos #1 and 2 are essentially the same as his regularly worn kimono, the only difference being the color of the dye and patches.

Alternate Kimono #3 is completely different and is much less formal as is has no crests on it at all.

If you want to make one of the alternate kimonos, they are described as follows:

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Anime & Manga

Sessho-Maru-Sama’s Kimono

Besides being the world’s most powerful demon, Lord Sesshomaru is both a warrior and nobleman, a wealthy and powerful Feudal overlord,The Ruler of The Western Lands (believed to be somewhere in China or Mongolia) and a much feared (a murderously violent) aristocrat and as such wears a style of ceremonial Kimono which is only worn by the elite few of his social standing. This can be seen by the fact that he wears white, a color reserved only for royalty, brides, and the dead, and by the fact that there are so many imperial crests embroidered onto his Kimono.

Sesshomaru’s Kimono is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed red, and the left shoulder is also dyed red.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each red hexagon, surrounded by a white boarder.

There is some debate among fans as to the lower edge of the kimono and what it should look like, since the hem of Sesshomaru’s kimono is never seen in either the books or the show. There is also question as to just how long the kimono he wears is; again, he wears a hakama over his kimono, so we never see the hem edge of it.

In the areas of Lord Sesshomaru’s costume where we do not have a visual reference to go by, we must instead look to the history books and find out what a real warring lord of Endo Japan would have done, and in doing that, this is what my research told me:

When worn by common folk, soldiers, and laborers, the length of a kimono worn under a hakama would have been knee length. However, the kimonos worn by noblemen, lords, and aristocrats would have been long full length kimonos.

The length of Lord Sesshomaru’s kimono should be long: very, very, very long. My study of Japanese fashion history tells me that a war lord of Sesshomaru’s status, would have worn a kimono of overblown proportions, not only are the sleeves abnormally long, but so to would have been the length of the kimono, which in some cases would have a train several feet long in the back! All of this extra fabric however would not be seen, because it would be girdled with a braided cord, and stuffed into the legs of the overlaying hakama, thus helping to give the hakama it’s huge ballooning pant-legs-effect.

Additionally, my research tells me that the hem edge of the kimono would be patterned and decorated to match the pattern of decoration on the sleeves and left shoulder. Note that the fact that the pattern is ONLY on the left shoulder, is an indication that this is not only a lord, but a lord of near Shogun status. Lord Sesshomaru is a very high ranking lord.

So my advice? I would say to make his kimono at least 4 inches longer than floor length for the wearer, and dye the lower 8 to 12 inches red to match the sleeves, and add imperial crests staggered at the same intervals as on the sleeves..

Beneath his Kimono Sesshomaru wears a white (or sometimes red flower print) Nagajuban.

This is the ONLY version ever to be drawn by Sesshomaru’s creator Rumiko Takahashi. All other versions of his costume were created by the tv anime artists and manga inkers.

(my art from my fashion design costume portfolio)

On occasion, Sesshomaru is seen wearing a slightly different kimono. This can be considered either a mistake on the pat of the anime artists, or an indication that he has not one, but four different kimonos.

Alternate Kimonos #1 and 2 are essentially the same as his regularly worn kimono, the only difference being the color of the dye and patches.

Alternate Kimono #3 is completely different and is much less formal as is has no crests on it at all.

If you want to make one of the alternate kimonos, they are described as follows:

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Anime & Manga

Sessho-Maru-Sama’s Kimono

Besides being the world’s most powerful demon, Lord Sesshomaru is both a warrior and nobleman, a wealthy and powerful Feudal overlord,The Ruler of The Western Lands (believed to be somewhere in China or Mongolia) and a much feared (a murderously violent) aristocrat and as such wears a style of ceremonial Kimono which is only worn by the elite few of his social standing. This can be seen by the fact that he wears white, a color reserved only for royalty, brides, and the dead, and by the fact that there are so many imperial crests embroidered onto his Kimono.

Sesshomaru’s Kimono is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed red, and the left shoulder is also dyed red.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each red hexagon, surrounded by a white boarder.

There is some debate among fans as to the lower edge of the kimono and what it should look like, since the hem of Sesshomaru’s kimono is never seen in either the books or the show. There is also question as to just how long the kimono he wears is; again, he wears a hakama over his kimono, so we never see the hem edge of it.

In the areas of Lord Sesshomaru’s costume where we do not have a visual reference to go by, we must instead look to the history books and find out what a real warring lord of Endo Japan would have done, and in doing that, this is what my research told me:

When worn by common folk, soldiers, and laborers, the length of a kimono worn under a hakama would have been knee length. However, the kimonos worn by noblemen, lords, and aristocrats would have been long full length kimonos.

The length of Lord Sesshomaru’s kimono should be long: very, very, very long. My study of Japanese fashion history tells me that a war lord of Sesshomaru’s status, would have worn a kimono of overblown proportions, not only are the sleeves abnormally long, but so to would have been the length of the kimono, which in some cases would have a train several feet long in the back! All of this extra fabric however would not be seen, because it would be girdled with a braided cord, and stuffed into the legs of the overlaying hakama, thus helping to give the hakama it’s huge ballooning pant-legs-effect.

Additionally, my research tells me that the hem edge of the kimono would be patterned and decorated to match the pattern of decoration on the sleeves and left shoulder. Note that the fact that the pattern is ONLY on the left shoulder, is an indication that this is not only a lord, but a lord of near Shogun status. Lord Sesshomaru is a very high ranking lord.

So my advice? I would say to make his kimono at least 4 inches longer than floor length for the wearer, and dye the lower 8 to 12 inches red to match the sleeves, and add imperial crests staggered at the same intervals as on the sleeves..

Beneath his Kimono Sesshomaru wears a white (or sometimes red flower print) Nagajuban.

This is the ONLY version ever to be drawn by Sesshomaru’s creator Rumiko Takahashi. All other versions of his costume were created by the tv anime artists and manga inkers.

(my art from my fashion design costume portfolio)

On occasion, Sesshomaru is seen wearing a slightly different kimono. This can be considered either a mistake on the pat of the anime artists, or an indication that he has not one, but four different kimonos.

Alternate Kimonos #1 and 2 are essentially the same as his regularly worn kimono, the only difference being the color of the dye and patches.

Alternate Kimono #3 is completely different and is much less formal as is has no crests on it at all.

If you want to make one of the alternate kimonos, they are described as follows:

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Anime & Manga

Sessho-Maru-Sama’s Kimono

Besides being the world’s most powerful demon, Lord Sesshomaru is both a warrior and nobleman, a wealthy and powerful Feudal overlord,The Ruler of The Western Lands (believed to be somewhere in China or Mongolia) and a much feared (a murderously violent) aristocrat and as such wears a style of ceremonial Kimono which is only worn by the elite few of his social standing. This can be seen by the fact that he wears white, a color reserved only for royalty, brides, and the dead, and by the fact that there are so many imperial crests embroidered onto his Kimono.

Sesshomaru’s Kimono is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed red, and the left shoulder is also dyed red.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each red hexagon, surrounded by a white boarder.

There is some debate among fans as to the lower edge of the kimono and what it should look like, since the hem of Sesshomaru’s kimono is never seen in either the books or the show. There is also question as to just how long the kimono he wears is; again, he wears a hakama over his kimono, so we never see the hem edge of it.

In the areas of Lord Sesshomaru’s costume where we do not have a visual reference to go by, we must instead look to the history books and find out what a real warring lord of Endo Japan would have done, and in doing that, this is what my research told me:

When worn by common folk, soldiers, and laborers, the length of a kimono worn under a hakama would have been knee length. However, the kimonos worn by noblemen, lords, and aristocrats would have been long full length kimonos.

The length of Lord Sesshomaru’s kimono should be long: very, very, very long. My study of Japanese fashion history tells me that a war lord of Sesshomaru’s status, would have worn a kimono of overblown proportions, not only are the sleeves abnormally long, but so to would have been the length of the kimono, which in some cases would have a train several feet long in the back! All of this extra fabric however would not be seen, because it would be girdled with a braided cord, and stuffed into the legs of the overlaying hakama, thus helping to give the hakama it’s huge ballooning pant-legs-effect.

Additionally, my research tells me that the hem edge of the kimono would be patterned and decorated to match the pattern of decoration on the sleeves and left shoulder. Note that the fact that the pattern is ONLY on the left shoulder, is an indication that this is not only a lord, but a lord of near Shogun status. Lord Sesshomaru is a very high ranking lord.

So my advice? I would say to make his kimono at least 4 inches longer than floor length for the wearer, and dye the lower 8 to 12 inches red to match the sleeves, and add imperial crests staggered at the same intervals as on the sleeves..

Beneath his Kimono Sesshomaru wears a white (or sometimes red flower print) Nagajuban.

This is the ONLY version ever to be drawn by Sesshomaru’s creator Rumiko Takahashi. All other versions of his costume were created by the tv anime artists and manga inkers.

(my art from my fashion design costume portfolio)

On occasion, Sesshomaru is seen wearing a slightly different kimono. This can be considered either a mistake on the pat of the anime artists, or an indication that he has not one, but four different kimonos.

Alternate Kimonos #1 and 2 are essentially the same as his regularly worn kimono, the only difference being the color of the dye and patches.

Alternate Kimono #3 is completely different and is much less formal as is has no crests on it at all.

If you want to make one of the alternate kimonos, they are described as follows:

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

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If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!

Lord Sesshomaru’s Kimono: Anime & Manga

Sessho-Maru-Sama’s Kimono

Besides being the world’s most powerful demon, Lord Sesshomaru is both a warrior and nobleman, a wealthy and powerful Feudal overlord,The Ruler of The Western Lands (believed to be somewhere in China or Mongolia) and a much feared (a murderously violent) aristocrat and as such wears a style of ceremonial Kimono which is only worn by the elite few of his social standing. This can be seen by the fact that he wears white, a color reserved only for royalty, brides, and the dead, and by the fact that there are so many imperial crests embroidered onto his Kimono.

Sesshomaru’s Kimono is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed red, and the left shoulder is also dyed red.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each red hexagon, surrounded by a white boarder.

There is some debate among fans as to the lower edge of the kimono and what it should look like, since the hem of Sesshomaru’s kimono is never seen in either the books or the show. There is also question as to just how long the kimono he wears is; again, he wears a hakama over his kimono, so we never see the hem edge of it.

In the areas of Lord Sesshomaru’s costume where we do not have a visual reference to go by, we must instead look to the history books and find out what a real warring lord of Endo Japan would have done, and in doing that, this is what my research told me:

When worn by common folk, soldiers, and laborers, the length of a kimono worn under a hakama would have been knee length. However, the kimonos worn by noblemen, lords, and aristocrats would have been long full length kimonos.

The length of Lord Sesshomaru’s kimono should be long: very, very, very long. My study of Japanese fashion history tells me that a war lord of Sesshomaru’s status, would have worn a kimono of overblown proportions, not only are the sleeves abnormally long, but so to would have been the length of the kimono, which in some cases would have a train several feet long in the back! All of this extra fabric however would not be seen, because it would be girdled with a braided cord, and stuffed into the legs of the overlaying hakama, thus helping to give the hakama it’s huge ballooning pant-legs-effect.

Additionally, my research tells me that the hem edge of the kimono would be patterned and decorated to match the pattern of decoration on the sleeves and left shoulder. Note that the fact that the pattern is ONLY on the left shoulder, is an indication that this is not only a lord, but a lord of near Shogun status. Lord Sesshomaru is a very high ranking lord.

So my advice? I would say to make his kimono at least 4 inches longer than floor length for the wearer, and dye the lower 8 to 12 inches red to match the sleeves, and add imperial crests staggered at the same intervals as on the sleeves..

Beneath his Kimono Sesshomaru wears a white (or sometimes red flower print) Nagajuban.

This is the ONLY version ever to be drawn by Sesshomaru’s creator Rumiko Takahashi. All other versions of his costume were created by the tv anime artists and manga inkers.

(my art from my fashion design costume portfolio)

On occasion, Sesshomaru is seen wearing a slightly different kimono. This can be considered either a mistake on the pat of the anime artists, or an indication that he has not one, but four different kimonos.

Alternate Kimonos #1 and 2 are essentially the same as his regularly worn kimono, the only difference being the color of the dye and patches.

Alternate Kimono #3 is completely different and is much less formal as is has no crests on it at all.

If you want to make one of the alternate kimonos, they are described as follows:

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

All about Lord Sesshomaru’s garb & Making a Lord Sesshomaru Costume. Plus, Sesshomaru & Rin and making Rin’s Costume; and this is for anyone who needs help Creating Character Profiles for their stories or for their SCA persona.

Thank You for reading my blog’s RSS feed. Don’t forget to come to my blog and check out the links in my blogroll too!